PENDLETON® introduces the 2017 American Indian College Fund Blanket in partnership with creative agency Wieden+Kennedy

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Design Influence – Pottery of the Hopi Tribe of the American Southwest

Pendleton Woolen Mills, the acclaimed- lifestyle brand headquartered in Portland, Oregon, introduces a new, exclusive blanket for 2017, Gift of the Earth, to benefit the American Indian College Fund.  For more than 25 years the College Fund has supported access to higher education for Native American students.

Gift of the Earth is a collaborative effort between Pendleton®, the College Fund and creative partner Wieden+Kennedy, honoring the rich storytelling, history and culture of the Hopi tribe of the American Southwest.

“The blanket tells of the Hopi nation and their sacred relationship with the ancient caretaker of the earth, Maasaw, and the respect of every gift given to them.” says designer Patty Orlando of creative agency Wieden+Kennedy.  “The clay they and their ancestors have sourced from the land for centuries is treated with the utmost regard.  Because of this, the Hopi people maintain a beautiful and unique pottery tradition on the mesas in Arizona.  Craftsmanship and creativity drawn from generations of knowledge flow through the potters today as they work.  Gift of the Earth draws on the design elements from these brilliant pieces as a testament to learning from the past while moving into the future.”

Gift of the Earth joins the Pendleton American Indian College Fund collection, a series of ten blankets, many of which are designs created by some of the finest Native American artists.  A portion of the proceeds from the sale of College Fund blankets provides scholarships for Native students to attend tribal colleges.

Today, only 13% of American Indians age 25 and older have a college degree, less than half the U.S. national average.  Forty percent of the American Indian population is under the age of 18.  The College Fund is helping more American Indians of college age start and complete their college degree through scholarship support.  The College Fund also provides the program support of students once they are in school to help them succeed both academically and in their careers.

Courtesy: Shondina Lee, photographer

 

Gift of the Earth

American Indian College Fund President and CEO Cheryl Crazy Bull (Sicangu Lakota) said, “The College Fund appreciates our long-term partnership with Pendleton Woolen Mills which has resulted in scholarships that support Native student higher education success.  Students face many barriers and having financial support means they can not only pay for tuition and books but they can pay for food and shelter.  Our students know that people cared when they receive a scholarship through this partnership.”

Mort Bishop III, Pendleton President, added to Crazy Bull’s remarks, “Pendleton has a high regard for the significance of education and its role to underscore the continuation of American Indian traditions and culture. Pendleton is proud to join the College Fund in this important mission and creating awareness of the accredited Tribal Colleges and Universities that offer students access to knowledge and new skills. ”

Gift of the Earth is available at specialty retail stores across the country and at www.pendleton-usa.com.  Find a store near you at Pendleton’s store locator on the website.

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About the American Indian College Fund — Founded in 1989, the American Indian College Fund has been the nation’s largest charity supporting Native higher education for more than 25 years. The College Fund believes “Education is the answer” and has provided more than 100,000 scholarships since its inception and an average of 6,000 scholarships per year to American Indian students. The College Fund also supports a variety of academic and support programs at the nation’s 34 accredited tribal colleges and universities, which are located on or near Indian reservations, ensuring students have the tools to graduate and succeed in their careers. The College Fund consistently receives top ratings from independent charity evaluators. For more information about the American Indian College Fund, please visit www.collegefund.org.

About Pendleton – Setting the standard for classic American style, Pendleton is a lifestyle brand recognized as a symbol of American heritage, authenticity and craftsmanship.  With six generations of family ownership since 1863, the company recently celebrated 154 years of weaving fabrics in the Pacific Northwest.  Known for fabric innovation, Pendleton owns and operates two of America’s remaining woolen mills, constantly updating them with state-of-the-art looms and eco-friendly technology.  Inspired by its heritage, the company designs and produces apparel for men and women, blankets, home décor, and gifts.  Pendleton is available through select retailers in the U.S., Canada, Europe, Japan, Korea and Australia; Pendleton stores; company catalogs; and direct-to-consumer channels including the Pendleton website, http://www.pendleton-usa.com.

About Wieden+Kennedy – Wieden+Kennedy, founded in Portland, Oregon, in 1982, is an independent, privately held global creative company with offices in Amsterdam, Delhi, London, New York City, Portland, São Paulo, Shanghai and Tokyo. Wieden+Kennedy works with some of the world’s most iconic global brands, including AB InBev, Coca-Cola, Delta Air Lines, KFC, Honda, Nike, Procter & Gamble, Samsung and Spotify.  www.wk.com

The Global Search for Education: Global Create-a-thon Makes the “A” in STEAM as Important as Every Other Letter

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A group of sudents pose at the Global Create-a-thon

Creative problem solving is as important as STEM, and a day-long hack-a-thon based in California is putting the focus on creativity instead of coding.

A developer in today’s world needs more than engineering, math and tech skills. The process of creating product is also about design-thinking, creativity and communication competencies.

While attending an Adobe Education Leader summit, educator Lisa Gottfried came up with the idea of producing the first-ever Create-a-thon to showcase student creative work.  With sponsorship from Adobe, she was able to launch her initiative, a day-long design challenge workshop in which the best creative work was ultimately presented at the Napa Lighted Art Festival. Students were given an entire day to explore, create, make and share their works of art with international artists in the festival. Gottfried is now in the process of expanding the program.

Lisa Gottfried is recognized internationally for innovation in education. She is an Adobe Education Leader and teaches Digital Design at New Technology High School. She is also an adjunct professor for Touro University, California in the Innovative Education Master’s program.

The Global Search for Education welcomes the Founder of Global Create- a-thon, Lisa Gottfried.

Lisa, what makes Global Create-a-thon unique to other programs like it?

This project is completely student created and student-run. All important decisions are made by the leadership team or the entire class. I, as a teacher, do not own the project as much as I collaborate with the students throughout the program. I and their mentors help the student leaders to navigate the entire project.  This means that the rigor for this project goes up tenfold. Students really own the success of the project and own their own learning in a way they have not experienced with other projects.

Also, where else can students get the chance to have their artwork seen by over 20,000 visitors on a 70-foot-long wall?  It’s one thing to make artwork for your teacher, but when the stakes have been raised this high and the risk is this big, the payoff in student buy-in is palpable.

We’ve made a big effort to make creating artwork as accessible as possible to all students, no matter their skills in art or their skills in digital design.  This project can be done with paper and pencil, or with computers and advanced Adobe software skills, which makes it an exciting way to collaborate with students from around the world, regardless of their access to technology or their technical skills.

What have been the biggest challenges you’ve faced getting schools to participate in your program?

We have had so many educators express interest in participating in our project with their students that recruitment has not been an issue. The challenge has been in getting all our ducks in a row so that we have the right supportive tutorials and clear directions for how to turn work in.  Establishing systems for receiving the work so that we are ready to curate a show has meant that students in charge of the event have had to really think through all the ramifications for every systems decision they make. Our long-term vision for the future is that our show tours different lighted art festivals in major cities around the world.

Continue on to CM Rubin World to read the complete article.

Designing a Safer Football Helmet

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image showing the new design of a football helmet

Private company VICIS and its academic partner, the University of Washington, have created a football helmet that aims to make playing the sport safer.

Designed with a soft shell that acts like a car bumper and vertical struts inside the helmet that bend and buckle, this product seeks to mitigate the forces that lead to concussions and brain injuries.

The innovative project is one of three final winners in Head Health Challenge II, which was part of the Head Health Initiative, a four-year, $60 million collaboration between the NFL, GE and Under Armour to accelerate diagnosis and improve treatment for traumatic brain injury.

The project has received two grants totaling $750,000 for continued research and development.  “Current helmets were designed against skull fracture, they were modeled primarily after motorcycle helmets,” says Dave Marver who is CEO and co-founder of VICIS.

The company started the project as a collaboration with the University of Washington to develop what they called the Zero1 Helmet.

Marver says current versions of football helmets “are not optimized to prevent or mitigate traumatic brain injury or concussion.” He says: “They don’t slow acceleration, which is the force that’s thought to cause concussion.”

The Zero1 helmet has passed the National Operating Committee on Standards for Athletic Equipment tests, which means it can be used on NFL fields. “The Zero1 helmet is designed to address not just linear forces acting upon football players’ heads but also angular and rotational acceleration,” Marver says. “The idea is pretty simple and rooted in physics. If force is the product of mass and acceleration and you can’t change the mass of a football player (football players can deliver up to one ton of force), a helmet must address acceleration if it’s going to impact force.”

Product Features/Technology

  • LODE Shell – Deformable Outer Shell

o Absorbs impact load by locally deforming, like a car bumper. Automotive safety engineers

have used local deformation to protect people for decades.

  • RFLX Layer – A Columnar Structure That Mitigates Impact Forces

o A highly-engineered columnar structure that moves omni-directionally to reduce linear and

rotational forces. This proprietary layer of columns bends and buckles upon impact, making

it effective against both linear and rotational forces. The columnar geometry used in the

RFLX layer is based on principles first described by 18th century Swiss physicist, Leonhard

Euler.

  • Field of View – Industry Leading Field of View

o The VICIS ZERO1 provides a wider field of view than traditional helmets. In laboratory

testing, the ZERO1 was shown to offer players a 212-degree field of view, nearly the

maximum of human peripheral vision (220 degrees). This is nearly 5 degrees more than the

next best traditional helmet and 13 degrees more than another popular traditional helmet.

  • AXIS Fit System® – Custom Fit, Superior Comfort

o One of VICIS’ founders is a neurosurgeon and some of the world’s preeminent neurosurgeons

serve on the company’s scientific advisory board. We incorporated feedback from these neurosurgeons and scores of elite football equipment managers to develop the VICIS AXIS Fit System®, which incorporates head length and width measurements to determine a player’s optimal helmet size.

Source: VICIS

Latin GRAMMY Cultural Foundation Announces the Julio Iglesias Scholarship

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Julio Iglesias in tuxedo smiling clapping hands with joy

A Music Student with Financial Hardship Will Receive a Four-Year Scholarship, Worth up to $200,000 USD Toward a Bachelor’s Degree at Berklee College of Music in Boston

Deadline to Apply is April 10, 2020

MIAMI (DEC. 16, 2019)— The Latin GRAMMY Cultural Foundation® announced today that it is accepting applications for the Julio Iglesias Scholarship from music students admitted to Berklee College of Music who are interested in Latin music. The four-year Prodigy Scholarship, which holds a maximum value of $200,000 USD, was created five years ago in an effort to support music education and Latin music genres, and will be awarded to a student who is exceptionally gifted and needs financial assistance to complete a bachelor’s degree in music starting in the Fall 2020 semester.

Julio Iglesias is considered an enduring star on the world stage and the best-selling Latin artist of all time. Recipient of a GRAMMY®, 2001 Latin Recording Academy Person of the Year™ honor, and the Recording Academy® Lifetime Achievement Award in 2019, the singer/songwriter has recorded in multiple languages and sold more than 300 million records worldwide.

“I’m proud to offer a promising student the opportunity of a formal music education at one of the best schools in the world through the Latin GRAMMY Cultural Foundation,” said Iglesias. “Through this scholarship, I hope to expand my legacy helping to build the next generation of Latin music ambassadors.”

“We are pleased to announce our sixth annual Prodigy Scholarship in association with music legend Julio Iglesias,” said Manolo Díaz, Senior Vice President, Latin GRAMMY Cultural Foundation. “We are grateful for Julio’s support and commitment to inspire future generations of Latin artists to achieve greatness.”

Every year, the Foundation’s Scholarship Committee carefully evaluates applications from a highly competitive pool of aspiring musicians on a variety of skills and under rigorous policies. As of today, the Latin GRAMMY Cultural Foundation has allocated a remarkable $5 million USD in scholarships, grants, musical instrument donations, and educational events worldwide. Previous artists who have co-sponsored Prodigy Scholarships include Enrique Iglesias (2015), Juan Luis Guerra (2016), Miguel Bosé (2017), Carlos Vives (2018), and Emilio and Gloria Estefan (2019).

For application, guidelines, and for the latest news, please visit the official website of the Latin GRAMMY Cultural Foundation at www.latingrammyculturalfoundation.com. As part of the process, students must complete two audition videos, submit two letters of recommendation and answer two essay questions. The materials can be submitted in English, Spanish or Portuguese. The deadline to apply is April 10, 2020, by 11:59 p.m. EDT. After reviewing the guidelines that can be found on our website, submit any questions to LGCF@grammy.com.

ABOUT THE LATIN GRAMMY CULTURAL FOUNDATION:
The Latin GRAMMY Cultural Foundation was established by The Latin Recording Academy® to promote international awareness and appreciation of the significant contributions of Latin music and its makers to the world’s culture, and to protect its rich musical legacy and heritage. The Foundation’s primary charitable focus is to provide scholarships to students interested in Latin music, as well as grants to scholars and organizations worldwide for research and preservation of diverse Latin music genres. Take action in supporting our mission by donating today via our Facebook page. For additional information, please visit us at www.latingrammyculturalfoundation.com. For the latest news and exclusive content, follow us at @latingrammyfdn on Twitter and Instagram, and Latin GRAMMY Cultural Foundation on Facebook.

ABOUT BERKLEE COLLEGE OF MUSIC:
Berklee was founded on the revolutionary principle that the best way to prepare students for careers in music is through the study and practice of contemporary music. For 70 years, the college has evolved to reflect the current state of the music industry, leading the way with baccalaureate studies in performance, music business/management, songwriting, music therapy, film scoring, and more. In June 2016, the Boston Conservatory merged with Berklee, creating the world’s most comprehensive and dynamic training ground for music, dance, theater, and related professions. With a focus on global learning, the Berklee campus in Valencia, Spain, offers graduate programs and study abroad opportunity, while Berklee Online serves distance learners worldwide with extension classes and degree-granting programs. The Berklee City Music Network provides after-school programming for underserved teens in more than 40 locations throughout the U.S. and Canada. With a student body representing more than 100 countries, abundant international undergraduate and graduate student populations (33 and 53 percent respectively), and alumni and faculty who have won more than 360 GRAMMY and Latin GRAMMY Awards, Berklee is the world’s premier learning lab for the music of today—and tomorrow. Learn more at berklee.edu.

ABOUT JULIO IGLESIAS:
Julio Iglesias is the most celebrated artist in Spanish and Latin music history. Recipient of a GRAMMY, The Latin Recording Academy Person of the Year in 2001, and the Recording Academy™ Lifetime Achievement Award in 2019, Iglesias is the best-selling Latin artist of all time with more than 300 million records sold in 14 languages. Photo Credit: Jesús Carrero

Kareem Abdul-Jabbar Gives Kids a Shot That Can’t be Blocked

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Kareem Abdul-Jabbar on a stage dressed in a suit smiling

By Brady Rhoades

Kareem Abdul-Jabbar — NBA Hall of Famer, best-selling author, renowned columnist, historian, philanthropist— is laser-focused on underprivileged kids.

The key to empowering them?

Education.

Through his Skyhook Foundation and Camp Skyhook, he’s on a mission to give inner city kids a “shot that can’t be blocked” at careers in STEM (science, technology, engineering, and math; many educators have added arts to the concept and use the acronym STEAM).

“The feedback from the kids is always a highlight for me,” he said, in an interview with STEAM Magazine. “They are enthusiastic, grateful, and excited about the experience. Horace Mann once said that ‘a house without books is like a room without windows.’ Before attending Camp Skyhook, many of our students couldn’t see themselves pursuing a STEM-related career. We’re building windows so they can see more possibilities for their future.

“Our students often come from economically disadvantaged neighborhoods,” Abdul-Jabbar continued. “They’re used to running the race of life with weights attached to them. Their shot at equal opportunities — whether in education, jobs, health care, etc. — is blocked by systemic social inequalities. We try to create a path where their shot at life can’t be blocked because of those disadvantages. We’re trying to even the playing field.”

Abdul-Jabbar is so committed to this venture that he’s sold personal memorabilia, such as championship rings and MVP plaques, in order to raise $2.8 million – a portion of which was donated to Camp Skyhook.

“Looking back on what I have done with my life, instead of gazing at the sparkle of jewels or gold plating celebrating something I did a long time ago, I’d rather look into the delighted face of a child holding their first caterpillar and think about what I might be doing for their future,” he said. “That’s a history that has no price.”

Kareem out in community visiting with a young boy in the library
Kareem Abdul-Jabbar out in community visiting with a young boy in the library

So what exactly are the Skyhook Foundation and Camp Skyhook?

The Los Angeles non-profit helps public school students in the city access a free, fun, weeklong STEM education camp in the Angeles National Forest. Every week throughout the year, in cooperation with the Los Angeles Unified School District, groups of fourth and fifth graders attend Camp Skyhook at the Clear Creek Outdoor Education Center. The hands-on science curriculum encourages students to study nature up close. They also get to hike, swim and sing songs around campfires.

Currently, there’s a six-year waiting list for students to get into the camp.

“I’m happy we’re doing what we are, but I’m frustrated because we want to do even more,” said the six-time NBA champion and six-time MVP. “This program gives students STEM-based activities in an environment they rarely experience: the natural world. It also inspires their curiosity and sense of wonder.”

Abdul-Jabbar said it’s paramount to increase opportunities in STEM, especially for minorities.

“African-American men make up only 3 percent of science and engineering occupations versus 49 percent white men,” he said. “Black women have only 2 percent versus 18 percent for white women. Part of the reason is that a STEM education doesn’t seem like a real possibility to many minority children educated in inferior schools. We can turn that around. We have to turn it around.”

One of the iconic photos in UCLA basketball history taken by Norm Levin: Lew Alcindor, the 7-foot-2 big man who would one day wind up as NBA superstar Kareem Abdul-Jabbar, getting all of the ball for a blocked shot against the University of Minnesota on Dec. 27, 1967
One of the iconic photos in UCLA basketball history taken by Norm Levin: Lew Alcindor, the 7-foot-2 big man who would one day wind up as NBA superstar Kareem Abdul-Jabbar, getting all of the ball for a blocked shot against the University of Minnesota on Dec. 27, 1967.

A native of Harlem, Abdul-Jabbar was a three-time NCAA champion and three-time Player of the Year at UCLA, where he played under legendary coach John Wooden.

He played 20 seasons in the NBA for the Milwaukee Bucks and the Los Angeles Lakers. During his career as a center, Abdul-Jabbar was a record 19-time NBA All-Star.

For Lakers fans, he is, perhaps, most beloved for his dominating performance in the 1985 finals against the Boston Celtics. The Lakers broke a decades-long losing streak to the Celtics and Abdul-Jabbar was named finals MVP.

He was inducted into the Hall of Fame in 1995 and named one of the 50 greatest players in league history in 1996. A statue showing him wielding the greatest weapon in basketball annals – the skyhook – was unveiled outside of Staples Center in 2012.

Since his stellar professional career, he has gone on to become a celebrated New York Times-bestselling author, a filmmaker, and a columnist for The Guardian and the Hollywood Reporter. He writes insightful and in-depth columns about pop culture and social justice.

His curiosity is nothing less than feral.

Did you know he’s huge fan of Sherlock Holmes, and his latest writing project — co-authored by Anna Waterhouse — is a mystery novel? It’s called Mycroft and Sherlock, The Empty Birdcage.

On top of all that, President Barack Obama awarded him the Medal

Kareem Abdul-Jabbar receives the Presidential Medal of Freedom from former President Barack Obama.
Kareem Abdul-Jabbar receives the Presidential Medal of Freedom from former President Barack Obama.

of Freedom in 2016.

“I can do more than stuff a ball through a hoop,” he said. “My mind is my greatest asset.”

The same can be said of the children he’s helping, even if they don’t know it yet.

The Skyhook Foundation — the website for information and donations at https://skyhookfoundation.org/ — is demonstrably effective. Did you think for a second Abdul-Jabbar wouldn’t track the results?

“We know it’s effective because our follow-up research shows that students have increased interest in science, engineering and the environment,” he said. “In practical terms, it means they take more science classes and feel more confident in the classroom asking and answering questions. Former participants who are now adults tell us this was their most memorable elementary school experience.”

It’s widely agreed-upon that Abdul-Jabbar’s skyhook was unstoppable—virtually unblockable. He shot thousands upon thousands of them, and tallied 38,387 points in his career. He is the greatest scorer in the history of professional basketball. Nobody’s ever re-created that magnificent hook shot.

Abdul-Jabbar’s message to kids: Develop a shot that can’t be blocked.

The game of life is played on a surface supremely larger than the 94-x-50-foot chunk of wood hoops players play on.

The winning play? Give yourself a shot to be an all-star in science, technology, engineering, arts, and math.

11-year-old ballerina dances into history as 1st black lead in NYC Ballet’s ‘The Nutcracker’

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Charlotte Nebres smiling holding a large Nutcracker

Four years ago, Misty Copeland became the first African American woman to be promoted to principal dancer in the American Ballet Theatre’s 75-year history. Now, an 11-year-old girl is also breaking barriers as the star of the New York City Ballet’s holiday production of George Balanchine’s “The Nutcracker.”

In a story first reported by The New York Times, Charlotte Nebres, a student at the School of American Ballet, danced her way into ballet history as New York City Ballet’s first black Marie, the young heroine of a show that dates back to 1954.

The annual production also includes a diverse cast of other young leads this season, including Tanner Quirk, Marie’s Prince in the ballet, who is half-Chinese; Sophia Thomopoulos, the ballet’s second casting of Marie, who is half-Korean and half-Greek; and Kai Misra-Stone, Sophia’s Prince, who is half-South Asian.

“It’s pretty amazing to be not only representing S.A.B., but also representing all of our cultures,” Nebres told “The New York Times.” “There might be a little boy or girl in the audience seeing that and saying, ‘Hey, I can do that too.'”

Charlotte, who was just 6 years old when Copeland became the first female African American principal at American Ballet Theater, recalled being inspired when she saw Copeland perform for the first time.

“I saw her perform and she was just so inspiring and so beautiful,” she told The New York Times. “When I saw someone who looked like me on stage, I thought, ‘That’s amazing.’ She was representing me and all the people like me.”

Charlotte Nebres in Ballet outfit holding on to ballet bar with her coachCharlotte, whose mother’s family is from Trinidad while her father’s side of the family is from the Philippines, is becoming a trailblazer herself with the role of Marie.

For Charlotte’s mother, Danielle Nebres, the experience for her daughter is a meaningful one, because she was also a dancer growing up.

Nebres, who described Charlotte as quiet and artistic, said, “You don’t know what people are seeing in your child, and they are definitely seeing something in her.”

Although Charlotte is making waves being cast as Marie, the 11-year-old is just enjoying the moment and doing what she loves most: dancing.

Continue on to ABC News to read the complete article.

Latin superstar Juanes’ enduring impact through music and philanthropy

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Juanes is on stage singing and playing guitar

By Jovane Marie

When Colombian superstar Juanes takes the stage, the atmosphere shifts. His influence is apparent, from the fanatic cheers of the audience as they sing along word-for-word to the permanent fixture of phones poised to capture each moment. With more than 15 million albums sold worldwide, to say he is a legend is undebatable.

This was the exact scene this past September at L’ATTITUDE, a business-focused annual conference, which focuses on how U.S. Latinos are fueling American economic growth. The artist was in attendance not only to serenade the crowd with a moving rendition of “La Camisa Negra” (a favorite from his ground-breaking album “Mi Sangre”) but also to share his thoughts on how Latinos are dominating mainstream music and the importance of their contributions.

It’s a perspective Juanes is more than qualified to speak on.

With a career spanning longer than three decades, 26 awarded Grammys and Latin Grammys combined, a history of philanthropic endeavors, and his naming last June as the 2019 Latin Recording Academy Person of the Year, Juanes has firmly positioned himself as one of Latin music’s leading global ambassadors and a committed voice for advocacy and inclusion.

It may seem a massive undertaking to be such an influential artist—maintaining a long-standing industry presence, constantly expanding your creative artistry, supporting new artists, and managing philanthropic efforts—but Juanes insists that only one thing is necessary to make it so.

“Si quieres ser artista, sigue tu corazón,” he told the L’ATTITUDE crowd. “If you want to be an artist, stick to your heart.”

Follow the Music

Considering Juanes’ background, it comes as no surprise that he ended up so fully enraptured by the magic of music. Raised in his native Colombia, he began playing the piano when he was only 2 years old, and at 7 learned the guitar from his father and brothers.

Juanes and Camillo Cabello perform on stage
Juanes and Camila Cabello perform onstage during The Latin Recording Academy’s Person of The Year Gala. (Photo by Michael Tran/FilmMagic)

“I started to play guitar and sing because of my family, really—my brothers, sisters and parents all loved music,” he told NPR. “They were always singing folk music, so those beginning years were filled with sambas and chacareras and vallenatos and tangos.”

By the time his teenage years rolled around, however, his tastes had changed, leading to the start of a career with a musical sound far removed from the folk songs of his youth. At age 17, along with friends André García, Fernando “Toby” Tobón and José David Lopera, he formed the rock band Ekhymosis (Greek for “bruise”).

Inspired by the music of Metallica, the band aimed to “create

Colombian rock” through their thrash and heavy metal rhythms. Their first demo spoke to a simultaneous effort to describe the troubled environment of their hometown in Medellín, marking the beginning of a consistent pattern of speaking out against injustice and violence through socially conscious songs.

At the time, Medellín, influenced by the reign of Pablo Escobar and civil war, had the highest homicide rate in the world. Juanes was not spared from the effects of this harrowing environment, losing a cousin to violence in the early 90s. The experience encouraged him to try to use his gift of music to effect change.

“I realized that music has the power to bring people together, to change things,” he said. “That has been my mission.”

By the time Juanes made the decision to go solo in 1998—ten years after the band’s formation— the award-winning group had released eight albums.

“I just felt like I was missing something—that I needed to go back to my roots, my essence,” Juanes said of his solo journey. “And that’s what I’ve done ever since. I try to mix both the folk side and the rock side to create a contemporary sound.”

The formula has certainly paid off…in spades.

Juanes holds his big donation check for his Fundacion Mi Sangre foundation
Juanes poses for a photo with a donation made to his foundation, Fundacion Mi Sangre, at Hard Rock Cafe – Times Square in New York City.(Photo by Stephen Lovekin/Getty Images)

Released in 2000, his first solo album, “Fíjate Bien,” earned him two Latin Grammy Awards, while his second, “Un Día Normal” (released in 2002), was certified multi-platinum in multiple countries across Latin America.

It was his third album, however—”Mi Sangre”—that positioned him as an international force and cemented him as a global ambassador for the Latin music genre. The album debuted at number one on the Billboard Top Latin Albums chart, produced three consecutive number one singles, was certified Gold, Platinum, or Multi-platinum in 14 countries, and won three Latin Grammy Awards.

Since the release of “Mi Sangre” in 2004, Juanes has released four more albums, including 2017’s “Mis Planes Son Amarte,” a full visual concept album featuring the artist’s first song in English.

His eighth solo album, set for release in November 2019, has already produced a Latin Grammy- nominated single in “La Plata”—a Colombian folkloric tune mixed with pop reggaeton that is close to the singer’s heart.

“This song is light and happy…I’m very excited,” he gushed about the single, which features emerging Columbian trap artist Lalo Ebratt of the collective Trapical Minds. “It has to do with Colombia, and with my roots, and with who I am.”

The Juanes Effect

Juanes’ worldwide appeal is undeniable. He has performed everywhere from the Nobel Peace Prize concert in Oslo to Sesame Street, and has been recognized by TIME Magazine as one of the World’s 100 Most Influential People.

And while many Latin artists eventually “cross-over” to record English language albums in an effort to expand their audiences, he waited almost 30 years to record “Goodbye for Now,” his first English song. The move was deliberate and based, he said, on a desire to respect his fan base while adapting to the changing musical landscape.

“Singing in Spanish is very important because it is the language in

Karla Martinez, John Cena, Juanes and Ana Patricia Gamez are seen on the set of ‘Despierta America’ to promote the film ‘Ferdinand’in Miami, Florida. (Photo by Alexander Tamargo/WireImage)

which I think and feel,” he explained. “But I am also conscious of the fact that the world and the way we communicate is changing. I do love Anglo music, and now that I’m a little bit more familiar with the language, I feel like it’s more honest for me to do it.”

It may have taken him some time to release a track in English, but Juanes has effortlessly maintained a presence in the mainstream American music scene, nabbing several groundbreaking firsts in the process of building his musical empire.

His performances at the 84th Annual Macy’s Thanksgiving Day Parade (2010), The Tonight Show Starring Jimmy Fallon (2014), The TODAY Show Plaza concert series (2014), and The Late Show with Stephen Colbert (2017) marked the first time any of these platforms had featured a performing artist singing exclusively in Spanish. And, in 2015, he performed “Juntos”—the first Spanish song featured in over a decade at the Grammys.

For Juanes, these historic performances speak to the ability of music to transcend language.

“It’s really a magical feeling,” he explained. “People come to our shows or listen to these performances, and they respect the fact that we sing in Spanish. They are paying attention to the melodies and the arrangement and the music itself, and it’s a beautiful gift. It’s just the magic of music.”

A Voice for Change

Growing up a witness to prevalent violence in his hometown of Medellín had a profound effect on Juanes that has reverberated beyond his lyrics into a passion for philanthropy.

In 2006, he created the Mi Sangre Foundation in response to Colombia’s needs in the treatment of landmine victims. Under the umbrella of psychosocial support, peace education, and peace building project programs, the organization “helps children, teenagers, and youth heal wounds of the soul by creating safe environments and strengthening social fabrics while enabling the participation of families, the community, and the educational sector.” The venture, which has provided support for thousands of landmine victims, is a labor of the heart.

Recording artist Juanes performs onstage during MusiCares Person of the Year honoring Fleetwood Mac
Recording artist Juanes performs onstage during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall in New York City. (Photo by Steven Ferdman/Getty Images)

“The name Mi Sangre [My Blood] is inspired by the same sentiment as my album of the same name—it’s about my children, my children’s children, my land, my roots. It’s what’s important to me,” Juanes said of the foundation. “When I heard firsthand the stories of people who had been directly affected moved me to the point that I said, ‘I want to do something.’”

The artist also co-founded the Paz Sin Fronteras (Peace Without Borders) effort, a series of free outdoor concerts aimed at uniting people across borders and promoting non-violent conflict resolution.

His efforts have earned him a multitude of humanitarian awards, appointments, and recognition, including Colombia’s National Peace Prize, a position as a Goodwill Ambassador for nonprofit organization United for Colombia, France’s highest cultural honor for social activism (L’Ordre des Arts et des Lettres), and a namesake recreational park in Medellín, which provides rehabilitation space for people with disabilities.

For Juanes, however, the recognition isn’t the end goal. In his eyes, it’s all about making a difference.

“I do these things because they matter for me and to me,” he explained. “I often think about what we as a people are doing here in this world and why we are here. And what I know for sure is that we are not alone…we need to help each other.”

A Continuing Legacy

Juanes’ legacy of artistic innovation, support for emerging artists, and humanitarian recently manifested into yet another recognition—one reserved for the most culturally impactful Latin musicians.

Last June, the Latin Recording Academy announced that as part of its milestone 20th anniversary, the singer, composer, musician, and philanthropist would be named the 2019 Latin Recording Academy Person of the Year.

Juanes performs at the 2nd Annual L'Attitude Conference
Juanes performs at the 2nd Annual L’Attitude Conference – LatiNExt Live on September 26, 2019 in San Diego, California. (Photo by Jerod Harris/Getty Images)

Bestowed upon musicians of Ibero American heritage in acknowledgement of their artistic achievements in the Latin music industry, fellowship, and philanthropic efforts, past honorees have included Gloria and Emilio Estefan, Shakira, Ricky Martin, and Carlos Santana.

“Juanes is young, but legendary, an artist who has inspired us through his amazing music for many years and—while doing so—he vigorously campaigned for political, social, and positive change around the world,” said Gabriel Abaroa Jr., president/CEO of The Latin Recording Academy. “His leadership and his philanthropic work, in addition to his positive messages that transcend music, speak volumes about his many contributions to the community, and we are truly honored to recognize him as this year’s Latin Academy Person of the Year.”

The designation is just the latest addition to the multi-talented artist’s ever-growing legacy, and a reaffirmation that he is fulfilling his destiny.

“I’m doing what I believe I was brought to do—to create music that raises awareness, renews hearts, and generates change,” Juanes shared. “And I hope I have many years left to connect through art, to play my guitar, and to continue chasing the sun.”

ShareSpace Education Donates Giant Mars and Moon Map™ to Challenger Learning Centers Across the Country

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Giant Moon and Mars Maps are pictured side by side

STEAM-based educational tools spark excitement around space exploration.

ShareSpace Education, a key program of the Aldrin Family Foundation (AFF), partnered with Challenger Center, a leading science, technology, engineering, and math (STEM) education organization, to donate three Giant Mars Map™ and one Giant Moon Map™ Interactive education packages promoting STEAM education in four Challenger Learning Centers (Challenger Learning Center at Heartland Community College, IL; Challenger Learning Center of Northern Nevada, NV; Challenger STEM Learning Center; University of Tennessee Chattanooga, TN; and Challenger Learning Center of Lockport, NY).

Each package includes a 15-foot x 15-foot map, four Welcome to Mars/Welcome to the Moon books, the Mars/Moon Map Curriculum package developed in collaboration with Purdue University, and access to in-person and online program training from the ShareSpace Foundation. The value of each Giant Mars Map™ / Giant Mars Map™ package is valued at $5,000.

“We are excited that these four Challenger Learning Centers will have Giant Mars Map™ or Giant Moon Map™ interactive education packages to offer to their students and community,” said Denise Kopecky, Vice President of Education, Challenger Center. “Every day at our Centers, students travel to space when they fly our simulation-based missions. These maps are another way for students and members of these communities to experience the excitement and wonder of space.”

“Giant Mars and Moon Maps are a means for sparking creativity in kids while they sit, stand, walk, play and learn together,” said Dr. Andrew Aldrin, president of AFF. “We are honored to partner with an incredible organization like Challenger Center and share this unique STEAM experience with their next generation across the United States.”

Each year, AFF works with donors to make Giant Mars Map™ packages available for distribution. Individual schools, school districts and informal education organizations submit applications, which are reviewed by an independent team of judges. Map recipients are selected with the goal of reaching people and places where the map can be used as an authentic teaching tool to help children develop an understanding for real-world, STEAM-based concepts using the Red Planet as the focal point.

About the Aldrin Family Foundation
The Aldrin Family Foundation (AFF) strives to cultivate the next generation of space leaders, entrepreneurs and explorers who will extend human habitation beyond the Earth to the Moon and Mars. AFF’s STEAM-based educational tools, curriculum and programs span from a child’s first classroom experience through graduate school and professional programs. This vertical pathway unites explorers at all levels to learn from each other’s vision for space, ultimately creating the first generation of Martians.

About Challenger Center
As a leader in science, technology, engineering, and math (STEM) education, Challenger Center provides more than 250,000 students annually with experiential education programs that engage students in hands-on learning opportunities. These programs, delivered in Challenger Learning Centers and classrooms, strengthen knowledge in STEM subjects and inspire students to pursue careers in these important fields. Challenger Center was created by the Challenger families to honor the crew of shuttle flight STS-51-L. For more information about Challenger Center, please visit challenger.org or connect on Facebook and Twitter.

See the states where designers make the most money for their work

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man drawing a design on paper with a pencil

Many designers make a very respectable living. According to a new survey of over 17,000 designers across the globe, conducted by the digital networking platform Dribbble earlier this year, product designers are doing quite well in particular.

U.S.-based product designers working on physical and digital products report making an average salary of $103,000 a year. Not bad for passing on the law degree and medical license and (hopefully) never learning how to code!

That figure doesn’t appear to be the result of a few whopping salaries that threw averages out of whack, either. In fact, 73% of product designers report making salaries of $75,000 or more. But there’s a catch: the highest-paid designers live in California, where 40% of those surveyed reported making $100,000 or more a year. Figures are similar in New York and Washington state (most likely the Seattle area, where Amazon and Microsoft live). In other words, designers who make six figures are often living in a location that mandates a six-figure minimum to get by. So success in the field is relative.

Other interesting findings were that a lot of designers are side-hustling on top of full-time office jobs. Nearly half of respondents reported working on-site at a job each day. But still, 75% of all respondents disclosed that they freelanced in off hours—a finding that’s in line with another recent survey on design work. Put differently, that means that only one out of four designers is getting the creative or financial fulfillment in their career to actually call it a day at the end of a day. It’s good for the design industry that so much extra work exists, but it’s perhaps worrisome that designers are taking it at the expense of time off for their health and well-being.

One last notable tidbit was regarding education. Globally, 42% of all designers are self-taught, while only about a third report picking up their talents through a formal education. But in the U.S., half of designers reported going to school to learn the trade. Then, specifically looking at UX designers who responded to the survey, a whopping 25% have their master’s degree. That means the people designing apps, websites, and interfaces are a highly educated bunch. And it implies that breaking into the Valley as a UX designer could require not just a stunning portfolio but a serious personal investment in education.

Continue on to Fast Company to read the complete article.

Calling Native American Student Artists! American Indian College Fund, Pendleton Host Design Contest

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Pendleton Design Contest Promo

Pendleton Woolen Mills, the acclaimed lifestyle brand headquartered in Portland, Oregon, creates dazzling blankets as part of Pendleton’s American Indian College Fund collection, of which a portion of the proceeds provides scholarships for Native American students.

To give voice to rising Native artists while honoring the richness of Native arts and cultures, the American Indian College Fund and Pendleton are announcing the Tribal College Blanket Design Contest. Open to tribal college students, the contest challenges students to express their culture and identity through original artistic designs to be incorporated into the next tribal college student designed blanket to be featured and sold in the blanket collection to give back to the Native community by helping to support American Indian College Fund scholarships.

Contest participants must be currently enrolled in one of the 35 American Indian Higher Education Consortium tribal colleges and universities (TCUs). Textile design experience is not necessary to enter. Only current TCU students are eligible to participate. Students cannot submit more than two designs. All submissions must be received by 11:59pm MST on February 15, 2020.

A committee comprised of Native American artists and College Fund and Pendleton staff will select the winning blanket designs. Prizes include the following:

  • Grand Prize winners: $2,000 cash, a $5,000 scholarship, and six of the winning blankets.
  • Second Place winners: $500 cash and a $2,500 scholarship.
  • Third Place winners: $250 cash and a $1,500 scholarship.

For submission guidelines and applications, please visit the American Indian College Fund’s web site at https://collegefund.org/pendletoncontest.

About the American Indian College Fund—Founded in 1989, the American Indian College Fund has been the nation’s largest charity supporting Native higher education for 30 years. The College Fund believes “Education is the answer” and provided $7.72 million in scholarships to 3,900 American Indian students in 2018-19, with nearly 137,000 scholarships and community support totaling over $208 million since its inception. The College Fund also supports a variety of academic and support programs at the nation’s 35 accredited tribal colleges and universities, which are located on or near Indian reservations, ensuring students have the tools to graduate and succeed in their careers. The College Fund consistently receives top ratings from independent charity evaluators and is one of the nation’s top 100 charities named to the Better Business Bureau’s Wise Giving Alliance. For more information about the American Indian College Fund, please visit collegefund.org.

From the Smithsonian to the Kitchen: African American Art is Transforming the Home Decor Business

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Collage of Black Art

Just a few decades ago, Black art was hard to come by in mainstream markets. Artists were largely only viewed at African American museums and at niche galleries.

In 1995, two young African American males in South Los Angeles set out to bridge the gap between Black art collectors and the everyday consumer. Shades of Color fuses Black art into its product line to celebrate one of America’s most influential cultures on household products including home décor, shower curtains, floor mats and kitchen aprons.

As of 2017, the home decor industry was worth $582 billion, and is projected to increase to $741 billion by 2023, according to PR Newswire. There has been an increase in home ownership which has tremendously impacted the home décor market, as stated on the Allied Market Research website.

While the home décor market is constantly expanding, there are still seldom companies that honor African American art on their products. Shades of Color’s partnership with African American artists is proving to be a solution that brings art into the homes of the consumers that truly appreciate it.

“We work with artists to mass produce their art on products which exponentially increases exposure to their craft,” says President, Adrian Woods. “Our artists are an extension of our family and are relatable from the girlfriends of Cidne Wallace to the strong Black fathers by Frank Morrison to the more contemporary styles of Larry Poncho Brown. Our goal is to highlight these artists and be a driving force in ethnic home décor.”

Black art is a reflection of American culture, and Shades of Color’s community is making that art more accessible. All types of consumers have essentially become art collectors without even knowing it. The company’s direct to consumer website features African American artists, a vast catalog of products and global conversations around culture and current affairs. With its ties to community involvement the company is also supporting its greater network. Schools, churches and community groups have earned well over $2 million through the company’s fifteen year fundraising program that is open to everyone.

What began in the mid-90’s as strictly a calendar company is now a leader in an ethnic niche market selling through mass retailers, organizations, main street gift shops and quaint Afrocentric stores across the country. The flagship calendar line preserves history and brings facts, accomplishments and current milestones to light in a time when typical classrooms across the country are still neglecting to include Black history. The entire product line is infused with positive aspirations and imagery that embody this very important aspect of Americana.

“It is touching to hear the reactions,” says Production Manager and Marketing Director, Janine Robinson. “Across social media followers comment on what it feels like to walk into their bathroom, for example, and see a reflection of themselves on a 70” x 70” panel that fills the room. It’s not rare to get several comments saying, ‘That’s me!’ Not only does the product fill the room literally, the art and statements fill and ignite the spirit too. That is the part that makes it all worth it.” #UpliftandInspire

About Shades of Color
Founded in 1995, Shades of Color, LLC is a small Black-owned business producing high quality calendars, stationery, kitchenware, home décor, bags and gifts. It licenses and commissions Black art from renowned African American artists. The company manufactures and distributes its own collections to a global audience. Learn more about their products at www.ShadesGifts.com. Learn more about their Home Décor Collection at www.shadescalendars.com/product-category/homedecor

Continue on to Black News to read the complete article.