Alcatraz East Crime Museum to Hold 2nd Annual Graffiti Art Contest

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Artists busy preparing for the Alcatraz graffiti contest

Drive through any city in America and you are bound to see some graffiti. Some people love it, while others hate it. These images, letters and paintings found on buildings, bridges and other surfaces can often signal decay and bring property values down.

This has prompted many cities to create designated graffiti art spaces, and many businesses have commissioned artists to create murals to deter graffiti on their walls. Putting graffiti art into the spotlight, Alcatraz East Crime Museum will be holding its 2nd annual Graffiti Art Contest on Saturday, June 1, 2019. All graffiti artists are invited to compete for cash prizes and the chance to have their work on exhibit in the museum.

“We are happy to encourage people to think outside the box and work with those who love this form of public art,” explains Rachael Penman, director of artifacts and exhibits at Alcatraz East Crime Museum. “This contest gives artists a chance to showcase their talent and a rare chance to have their art featured in a museum.”

The artists who are selected to compete in the contest will be staged in the parking lot behind the Alcatraz East Crime Museum. The event is open to the public. There will be three winners, who will be awarded $750, $350, and $200 respectively. Each of the three winners will also have their graffiti art put on exhibit inside the museum.

Contestants must pre-qualify by entering online and must be at least 18 years old. The deadline to enter for consideration for the contest is May 8, 2019. Artists can review the full guidelines for the contest at: alcatrazeast.com/graffiti-contest/.

The judges’ panel includes local representatives of law enforcement and the arts, including Pigeon Forge Chief of Police Richard Catlett.

In 2018, Alcatraz East Crime Museum held its first annual graffiti contest, with contestants from Picture of colorful cartoonish graffiti on wall with a bulldog looking onboth the local area and surrounding states. The grand prize went to Steve Hall of Maryville, Tennessee.

“Everyone competing was very kind, and it was inspiring to see all different artists with different talents, backgrounds, mediums, and ideas come together and celebrate their art,” says Emily Overbey, an artist who competed in last year’s competition.

The Alcatraz East Crime Museum is located at the entrance to The Island, at 2757 Parkway in Pigeon Forge. They are located near the Margaritaville Hotel and Paula Deen’s Family Kitchen. The museum is always adding to its collection, and has a star-studded panel of experts who make up the Advisory Board, including those in law enforcement, collectors, a medical examiner, crime scene investigators, and others. The board includes Jim Willett, a retired prison warden, Anthony Rivera, a combat veteran and Navy SEAL chief, and Judge Belvin Perry, Jr., who is best known for the Casey Anthony trial. For more information and to purchase tickets, visit: alcatrazeast.com.

About Alcatraz East

Alcatraz East is the most arresting crime museum in the United States. Guests of all ages can encounter a unique journey into the history of American crime, crime-solving, and our justice system. Through interactive exhibits and original artifacts, Alcatraz East is an entertaining and educational experience for all ages – so much fun it’s a crime! This family attraction is located at the entrance of The Island, located at 2757 Parkway, Pigeon Forge, TN. General admission tickets are $14.95 for children and $24.95 for adults. Group ticket sales are available. The museum is open daily from 10 a.m. to 9 p.m., with the last ticket sold 60 minutes before closing. For more information and to purchase tickets, visit: alcatrazeast.com.

Job seekers, these are the 10 best jobs in America right now

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Diverse business team looking over online security

If you’re not actively looking for a job, there’s a good chance you will be before the month is out. January is the most popular month for job searches, with a 22% increase over any other month, according to Glassdoor.

With that in mind, Glassdoor just released its annual ranking of the 50 best jobs in America. And while it’s no surprise that nearly half are tech jobs, there are a few surprises among the mix.

When scored for salary, number of openings, and job satisfaction ratings from members of the platform, these were the top 10 jobs:

1. Front End Engineer
Job Satisfaction Rating: 3.9
Number of Job Openings: 13,122
Median Base Salary: $105,240

2. Java Developer
Job Satisfaction Rating: 3.9
Number of Job Openings: 16,136
Median Base Salary: $83,589

3. Data Scientist
Job Satisfaction Rating: 4.0
Number of Job Openings: 6,542
Median Base Salary: $107,801

4. Product Manager
Job Satisfaction Rating: 3.8
Number of Job Openings: 12,173
Median Base Salary: $117,713

5. DevOps Engineer
Job Satisfaction Rating: 3.9
Number of Job Openings: 6,603
Median Base Salary: $107,310

6. Data Engineer
Job Satisfaction Rating: 3.9
Number of Job Openings: 6,941
Median Base Salary: $102,472

7. Software Engineer
Job Satisfaction Rating: 3.6
Number of Job Openings: 50,438
Median Base Salary: $105,563
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8. Speech Language Pathologist
Job Satisfaction Rating: 3.8
Number of Job Openings: 29,167
Median Base Salary: $71,867

9. Strategy Manager
Job Satisfaction Rating: 4.3
Number of Job Openings: 3,515
Median Base Salary: $133,067

10. Business Development Manager
Job Satisfaction Rating: 4.0
Number of Job Openings: 6,560
Median Base Salary: $78,480

This is the first time in four years that data scientist didn’t top the list. “While data scientist remains a thriving role, we’re seeing high demand for front end engineers with over 13,000 open roles, nearly double the number of data scientist open jobs,” Amanda Stansell, Glassdoor’s senior economic research analyst, wrote in the report. “In addition to numerous open jobs, front end engineers report competitive salaries and high job satisfaction.”

Continue on to Fast Company to read the complete article.

The Global Search for Education: Global Create-a-thon Makes the “A” in STEAM as Important as Every Other Letter

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A group of sudents pose at the Global Create-a-thon

Creative problem solving is as important as STEM, and a day-long hack-a-thon based in California is putting the focus on creativity instead of coding.

A developer in today’s world needs more than engineering, math and tech skills. The process of creating product is also about design-thinking, creativity and communication competencies.

While attending an Adobe Education Leader summit, educator Lisa Gottfried came up with the idea of producing the first-ever Create-a-thon to showcase student creative work.  With sponsorship from Adobe, she was able to launch her initiative, a day-long design challenge workshop in which the best creative work was ultimately presented at the Napa Lighted Art Festival. Students were given an entire day to explore, create, make and share their works of art with international artists in the festival. Gottfried is now in the process of expanding the program.

Lisa Gottfried is recognized internationally for innovation in education. She is an Adobe Education Leader and teaches Digital Design at New Technology High School. She is also an adjunct professor for Touro University, California in the Innovative Education Master’s program.

The Global Search for Education welcomes the Founder of Global Create- a-thon, Lisa Gottfried.

Lisa, what makes Global Create-a-thon unique to other programs like it?

This project is completely student created and student-run. All important decisions are made by the leadership team or the entire class. I, as a teacher, do not own the project as much as I collaborate with the students throughout the program. I and their mentors help the student leaders to navigate the entire project.  This means that the rigor for this project goes up tenfold. Students really own the success of the project and own their own learning in a way they have not experienced with other projects.

Also, where else can students get the chance to have their artwork seen by over 20,000 visitors on a 70-foot-long wall?  It’s one thing to make artwork for your teacher, but when the stakes have been raised this high and the risk is this big, the payoff in student buy-in is palpable.

We’ve made a big effort to make creating artwork as accessible as possible to all students, no matter their skills in art or their skills in digital design.  This project can be done with paper and pencil, or with computers and advanced Adobe software skills, which makes it an exciting way to collaborate with students from around the world, regardless of their access to technology or their technical skills.

What have been the biggest challenges you’ve faced getting schools to participate in your program?

We have had so many educators express interest in participating in our project with their students that recruitment has not been an issue. The challenge has been in getting all our ducks in a row so that we have the right supportive tutorials and clear directions for how to turn work in.  Establishing systems for receiving the work so that we are ready to curate a show has meant that students in charge of the event have had to really think through all the ramifications for every systems decision they make. Our long-term vision for the future is that our show tours different lighted art festivals in major cities around the world.

Continue on to CM Rubin World to read the complete article.

Designing a Safer Football Helmet

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image showing the new design of a football helmet

Private company VICIS and its academic partner, the University of Washington, have created a football helmet that aims to make playing the sport safer.

Designed with a soft shell that acts like a car bumper and vertical struts inside the helmet that bend and buckle, this product seeks to mitigate the forces that lead to concussions and brain injuries.

The innovative project is one of three final winners in Head Health Challenge II, which was part of the Head Health Initiative, a four-year, $60 million collaboration between the NFL, GE and Under Armour to accelerate diagnosis and improve treatment for traumatic brain injury.

The project has received two grants totaling $750,000 for continued research and development.  “Current helmets were designed against skull fracture, they were modeled primarily after motorcycle helmets,” says Dave Marver who is CEO and co-founder of VICIS.

The company started the project as a collaboration with the University of Washington to develop what they called the Zero1 Helmet.

Marver says current versions of football helmets “are not optimized to prevent or mitigate traumatic brain injury or concussion.” He says: “They don’t slow acceleration, which is the force that’s thought to cause concussion.”

The Zero1 helmet has passed the National Operating Committee on Standards for Athletic Equipment tests, which means it can be used on NFL fields. “The Zero1 helmet is designed to address not just linear forces acting upon football players’ heads but also angular and rotational acceleration,” Marver says. “The idea is pretty simple and rooted in physics. If force is the product of mass and acceleration and you can’t change the mass of a football player (football players can deliver up to one ton of force), a helmet must address acceleration if it’s going to impact force.”

Product Features/Technology

  • LODE Shell – Deformable Outer Shell

o Absorbs impact load by locally deforming, like a car bumper. Automotive safety engineers

have used local deformation to protect people for decades.

  • RFLX Layer – A Columnar Structure That Mitigates Impact Forces

o A highly-engineered columnar structure that moves omni-directionally to reduce linear and

rotational forces. This proprietary layer of columns bends and buckles upon impact, making

it effective against both linear and rotational forces. The columnar geometry used in the

RFLX layer is based on principles first described by 18th century Swiss physicist, Leonhard

Euler.

  • Field of View – Industry Leading Field of View

o The VICIS ZERO1 provides a wider field of view than traditional helmets. In laboratory

testing, the ZERO1 was shown to offer players a 212-degree field of view, nearly the

maximum of human peripheral vision (220 degrees). This is nearly 5 degrees more than the

next best traditional helmet and 13 degrees more than another popular traditional helmet.

  • AXIS Fit System® – Custom Fit, Superior Comfort

o One of VICIS’ founders is a neurosurgeon and some of the world’s preeminent neurosurgeons

serve on the company’s scientific advisory board. We incorporated feedback from these neurosurgeons and scores of elite football equipment managers to develop the VICIS AXIS Fit System®, which incorporates head length and width measurements to determine a player’s optimal helmet size.

Source: VICIS

Meet the 20-Year Old Entrepreneur Behind the Most Innovative Drone Technology

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David Opateyibo pictured in front of his drones on the floor

David Opateyibo is only 20-years old, but is already making international headlines for his ability to create and develop his very own drones.

Born and raised in Nigeria, as a young person, David was always passionate about technology and more specifically aircrafts. He started out creating airplanes from paper, cardboard, and other readily available materials. This led him to enroll in the International College of Aeronautics, Lagos Nigeria for aircraft building technology (ABT) in the year 2015.

He was so advanced that he was invited to also become an instructor while still studying.

In the year 2017, David was recognized for building a drone from scratch and presenting it to the State governor at that time.

Later, he obtained his remote pilot license (RPL) at the age of 19 in the United States of America under the Federal Aviation Administration (FAA) and became an active member of the Nigeria Unmanned Systems and Robotics Association (NUSA).

In 2018, after completing a 2 year diploma in Applied Aviation Science, he led a team of 5 students of the International College of Aeronautics in building an all metal 2 seat airplane: the Zenith CH 750 Short Takeoff and Landing (STOL) at the Zenith Aircraft Building Company in Missouri.

A real entrepreneur.

Nowadays, David is works as a freelancer for various organizations to provide top notch drone services and products.

He believes that drone technology is where the future lies because drones are being used to carry out tasks that previously only manned aircrafts where known to do – ranging from military to civilian uses.

He comments, “We are in the era of data science, artificial intelligence (AI) and the internet of things (IOT), and with these, we cannot but fathom what the future will bring drones are not going anywhere any time soon.”

Continue on to Black Business to read the complete article.

The BEYA STEM Conference is coming to Washington, D.C.

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group of people arriving at diversity hiring fair

Each year, the BEYA STEM Conference brings professionals and students together for three days to share their experiences and career information.

This year’s event will be held in Washington, D.C., February 13-15 at the Washington Marriott Wardman Park Hotel.

Did you know that science, technology, engineering and mathematics career opportunities, referred to as “STEM” industries, are growing rapidly? Employers cannot fill job postings quickly enough, and there are a wide variety of openings for diverse candidates with the STEM skills necessary to succeed.

You can network with attendees from around the country while participating in seminars and workshops that explore every facet of STEM career paths.

The goal of the BEYA Conference is to create connections between students, educators and STEM professionals while facilitating partnerships with individuals and their local STEM resources.

Make the most of the free career fair! Plan your visit before your arrival and get the most out of your experience. Easily search exhibitors by name. You can create a list of exhibitors your must see.

Watch video from the BEYA STEM 2017 Conference:

Standard registration is by January 31, 2020. Late Registration is by February 1, 2020.

Get all the details about the three-day conference here.

Want a career in tech? Start here.

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group od diverse co-workers gathered around conference table with their laptops

Technological advancements continue to transform the media industry, rapidly changing how media is created, distributed and consumed. This transformation requires new ways of thinking and doing. The Emma Bowen Foundation (EBF) is uniquely suited to provide a pipeline of talent to those companies at the forefront of digital innovation and connectivity.

For example, Njuguna Thande, a Princeton grad who majored in electrical engineering, took an internship at Discovery, Inc., learning software and hardware design at the media company. Here, Njuguna shares what he learned during his four summers immersed at Discovery.

EBF: You interned at Discovery for four summers. How did your role change over time there?

Njuguna Thande: Discovery was open to me shifting departments, so my role changed to fill in gaps in my general engineering knowledge. First, I worked in system design with media engineering for two years, then software design with the IT department, and finally hardware design with facilities engineering. My diverse roles gave me a fuller understanding of an industry-level engineering operation.

EBF: Tell us about a particular challenge or key takeaway.

headshot of Njuguna Thande
Njuguna Thande

NT: The biggest thing I took away from working at Discovery was a much more thorough understanding of engineering as a whole. It gave me a much better picture of how all these teams had some connection to what I was studying. One of the biggest moments was when the company completed the “Cloud Playout” project. This was a multi-year project that involved nearly every engineering team during its various phases. As an EBF intern, I was able to contribute to it from multiple angles through different teams. So, I felt a real sense of camaraderie when the company finally brought it to its conclusion.

EBF: How did EBF prepare you for a career in media?

NT: Joining EBF has been the best decision I’ve made. I wouldn’t have understood so many aspects of media and media technology if I hadn’t decided to become a fellow. Knowing I can lean on them has kept me on track and stopped me from losing focus when things got tough. I couldn’t be more grateful to be a part of EBF. Career-wise, EBF allowed me to take a deep dive into how a media company works. Working at Discovery year after year helped me nail down what I liked about engineering. It created a feedback loop that helped me chart out my path forward.

EBF: What advice do you have for students working toward a career in media?

NT: Your first internship isn’t your last internship. Your first job isn’t your last job. Don’t give up and try to get the most you can out of it. The work you do is meaningful, but it’s more important to understand the people that you work with and how they work with you. With support from more than 75 corporate and nonprofit partners, the Emma Bowen Foundation recruits promising students of color and places them in multi-year paid internships at some of the nation’s leading media and technology companies.

Learn more at emmabowenfoundation.com.

Do You Have What It Takes to be a Formula 1 Engineer?

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Left to right: Daniel Ricciardo (Renault Formula One™driver), Matthew Kemp (2019 INFINITI Engineering Academy Canadian winner), Adam Paterson (Managing Director, INFINITI

By Peter Placey

Want to be an engineer for the INFINITI and Renault F1Team? The INFINITI Engineering Academy is a grueling global search for motivated and talented engineers to work across automotive and Formula One.

Seven global regions participate with the top 70 engineering students (the 10 best applications from each region) going through to one of the seven regional finals.

The INFINITI Engineering Academy is said to be the most successful technical recruitment initiative, having launched the careers of previous winners. The seven winners not only get access to technology between both INFINITI road car and Renault F1 Team race car projects but are also offered a 12 month paid placement that includes travel, salary, accommodation, access to an INFINITI company car and the opportunity to work alongside the world’s leading engineers in the automotive and motorsport industries.

“We want to create openings for these young engineers,” said Tommaso Volpe, director of Motorsport & Performance Projects, INFINITI Global. “Thanks to our technical partnership with the Renault F1® Team, the Academy can provide these opportunities for our winners.

“As a result, interest in the program has grown exponentially,” Volpe continued. “Almost 30,000 people have registered since the first edition in 2014, and we believe it will keep growing in the future.”

Mathew Kemp, an engineering student from Calgary, was crowned the winner of the INFINITI Engineering Academy 2019 Canadian Final. To win, Kemp had to tackle an intensive program that evaluated both his technical and soft skills, including an engineering exam, one-on-one interviews, a decision-making challenge, a Formula 1 technical challenge and construction of a dragster model vehicle. The final challenge tested Kemps’ communication skills with a Q&A session in the form of a press conference with Canadian journalists.

Source: INFINITI

Pictured left to right: Daniel Ricciardo (Renault Formula One™driver), Matthew Kemp (2019 INFINITI
Engineering Academy Canadian winner), Adam Paterson (Managing Director, INFINITI)

How Black Girls Code transformed from basement experiment to international movement

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Kimberly Bryant stands behind a podium wearing a shirt that read Phenomenal Woman

By Halley Bondy

Throughout her biotech engineering career, Kimberly Bryant was the only black female in the room most of the time. And as Bryant rose the ranks to become manager at companies like DuPont, Phillip Morris and Genentech, she yearned for a more inclusive world for her daughter Kai.

Kai had developed a knack for gaming and coding, which is a very male, white and Asian-dominated business.

“It happened that I stumbled into this issue of diversity of inclusion and tech,” said Bryant in an interview with Know Your Value. “My daughter was about to go to middle school and was interested in tech and video gaming and gaming in general…I found that there wasn’t a strong program that would focus on girls of color and getting them prepared in the skills they’d need to move into this career field.”

Women of color earn less than 10 percent of bachelor’s degrees in computing, according to the Kapor Center. And black women make up less than 0.5 percent of leadership roles in tech. Even in women-led small tech businesses, women of color only comprise 4 percent of the workforce.

With Kai’s help, Bryant called upon colleagues at Genentech to put together a six-week coding curriculum for girls of color in 2011. She conducted the first educational series in a basement of a college prep institution in San Francisco, which was loaned to Bryant for free. Bryant expected about six students, but the class attracted about a dozen girls, including of course, Kai.

Bryant’s small community effort attracted the attention of ThoughtWorks, a global tech consultancy company. ThoughtWorks invested in Bryant in January 2012 and gave her access to space and resources across the country, as well as in Johannesburg, South Africa. In a few years, the operation transformed from a basement experiment into a global non-profit with 15 chapters. They called themselves Black Girls Code.

The more mature chapters might boast up to 1,000 students a year, according to Bryant, who runs the organization full-time.

“I didn’t know it would be a nonprofit,” said Bryant. “This was us just trying to test the waters and make something locally where I could bring my daughter, so she could find a tribe of girls interested in the same thing, but it took off from humble beginnings.”

The Black Girls Code curriculum teaches everything from web development to robotics to Artificial Intelligence. Many of the first-year students are now in college, including Kai, who is in her sophomore year studying computer science.

Bryant wants to expand Black Girls Code into a life-long support network to help retention rates in tech.

“One of the things that I’m really excited about is building out this alumni network that we’ve grown over the last eight years,” said Bryant. “Many of the girls…are about to go to college, and they have a need for support as they continue their career and collegiate journeys.”

Bryant said she was never interested in coding — that was all her daughter. Instead, Bryant studied engineering at Vanderbilt University. She said she met only one other African American female engineering student in her four years there, and that none of her professors were even female, let alone black.

“I didn’t have any role models,” said Bryant.

Still, she excelled. Bryant was only 25 when she became a manager at DuPont in Tennessee. She said her manager there—whom she otherwise adored—jokingly introduced her to the team as a “twofer,” because she was black and a woman.

The Black Girls Code curriculum teaches everything from web development to robotics to Artificial IntelligenceCourtesy of Black Girls Code.

“I’m positive those men had never worked for a black woman as their manager,” she said. “It was a learning experience. I spent most of my career in these types of positions. There were always these implicit and explicit biases that I had to deal with as I tried to establish authority as a black woman.”

Continue on to NBC News read the complete article.

Miss America Is Now a Scientist! Camille Schrier of Virginia Wins Crown After On-Stage Experiment

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Camille Schrier conducts science experiment on stage during the Miss America pageant

There she is, Miss America!

Miss Virginia Camille Schrier earned the title of Miss America 2020 on Thursday night, beating out 50 other contestants for the prestigious crown after performing the show’s first-ever science demonstration in the talent portion.

Schrier, 24, showed the audience the catalytic decomposition of hydrogen peroxide, and earned high praise from the judges — Kelly Rowland, Queer Eye‘s Karamo Brown and Superstore actress Lauren Ash — when she told them, “Miss America is someone who needs to educate.”

Prior to her win, Schrier — a PharmD student at Virginia Commonwealth University School of Pharmacy — thanked the pageant for “taking the focus off our bodies” and giving her a chance to be recognized for her smarts, personality and mission.

Schrier said her goal as Miss America was to promote drug safety and abuse prevention while also championing STEM (science, technology, engineering and math) education.

She was presented with the crown, which comes with more than $300,000 scholarships and a year of representing the organization, by her predecessor, Miss America 2019 Nia Franklin, 26.

Continue on to People to read the complete article.

Latin GRAMMY Cultural Foundation Announces the Julio Iglesias Scholarship

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Julio Iglesias in tuxedo smiling clapping hands with joy

A Music Student with Financial Hardship Will Receive a Four-Year Scholarship, Worth up to $200,000 USD Toward a Bachelor’s Degree at Berklee College of Music in Boston

Deadline to Apply is April 10, 2020

MIAMI (DEC. 16, 2019)— The Latin GRAMMY Cultural Foundation® announced today that it is accepting applications for the Julio Iglesias Scholarship from music students admitted to Berklee College of Music who are interested in Latin music. The four-year Prodigy Scholarship, which holds a maximum value of $200,000 USD, was created five years ago in an effort to support music education and Latin music genres, and will be awarded to a student who is exceptionally gifted and needs financial assistance to complete a bachelor’s degree in music starting in the Fall 2020 semester.

Julio Iglesias is considered an enduring star on the world stage and the best-selling Latin artist of all time. Recipient of a GRAMMY®, 2001 Latin Recording Academy Person of the Year™ honor, and the Recording Academy® Lifetime Achievement Award in 2019, the singer/songwriter has recorded in multiple languages and sold more than 300 million records worldwide.

“I’m proud to offer a promising student the opportunity of a formal music education at one of the best schools in the world through the Latin GRAMMY Cultural Foundation,” said Iglesias. “Through this scholarship, I hope to expand my legacy helping to build the next generation of Latin music ambassadors.”

“We are pleased to announce our sixth annual Prodigy Scholarship in association with music legend Julio Iglesias,” said Manolo Díaz, Senior Vice President, Latin GRAMMY Cultural Foundation. “We are grateful for Julio’s support and commitment to inspire future generations of Latin artists to achieve greatness.”

Every year, the Foundation’s Scholarship Committee carefully evaluates applications from a highly competitive pool of aspiring musicians on a variety of skills and under rigorous policies. As of today, the Latin GRAMMY Cultural Foundation has allocated a remarkable $5 million USD in scholarships, grants, musical instrument donations, and educational events worldwide. Previous artists who have co-sponsored Prodigy Scholarships include Enrique Iglesias (2015), Juan Luis Guerra (2016), Miguel Bosé (2017), Carlos Vives (2018), and Emilio and Gloria Estefan (2019).

For application, guidelines, and for the latest news, please visit the official website of the Latin GRAMMY Cultural Foundation at www.latingrammyculturalfoundation.com. As part of the process, students must complete two audition videos, submit two letters of recommendation and answer two essay questions. The materials can be submitted in English, Spanish or Portuguese. The deadline to apply is April 10, 2020, by 11:59 p.m. EDT. After reviewing the guidelines that can be found on our website, submit any questions to LGCF@grammy.com.

ABOUT THE LATIN GRAMMY CULTURAL FOUNDATION:
The Latin GRAMMY Cultural Foundation was established by The Latin Recording Academy® to promote international awareness and appreciation of the significant contributions of Latin music and its makers to the world’s culture, and to protect its rich musical legacy and heritage. The Foundation’s primary charitable focus is to provide scholarships to students interested in Latin music, as well as grants to scholars and organizations worldwide for research and preservation of diverse Latin music genres. Take action in supporting our mission by donating today via our Facebook page. For additional information, please visit us at www.latingrammyculturalfoundation.com. For the latest news and exclusive content, follow us at @latingrammyfdn on Twitter and Instagram, and Latin GRAMMY Cultural Foundation on Facebook.

ABOUT BERKLEE COLLEGE OF MUSIC:
Berklee was founded on the revolutionary principle that the best way to prepare students for careers in music is through the study and practice of contemporary music. For 70 years, the college has evolved to reflect the current state of the music industry, leading the way with baccalaureate studies in performance, music business/management, songwriting, music therapy, film scoring, and more. In June 2016, the Boston Conservatory merged with Berklee, creating the world’s most comprehensive and dynamic training ground for music, dance, theater, and related professions. With a focus on global learning, the Berklee campus in Valencia, Spain, offers graduate programs and study abroad opportunity, while Berklee Online serves distance learners worldwide with extension classes and degree-granting programs. The Berklee City Music Network provides after-school programming for underserved teens in more than 40 locations throughout the U.S. and Canada. With a student body representing more than 100 countries, abundant international undergraduate and graduate student populations (33 and 53 percent respectively), and alumni and faculty who have won more than 360 GRAMMY and Latin GRAMMY Awards, Berklee is the world’s premier learning lab for the music of today—and tomorrow. Learn more at berklee.edu.

ABOUT JULIO IGLESIAS:
Julio Iglesias is the most celebrated artist in Spanish and Latin music history. Recipient of a GRAMMY, The Latin Recording Academy Person of the Year in 2001, and the Recording Academy™ Lifetime Achievement Award in 2019, Iglesias is the best-selling Latin artist of all time with more than 300 million records sold in 14 languages. Photo Credit: Jesús Carrero