Is AI the Next Great Art Movement?

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AI image with two computer simulated brains facing each other and art in the background

For decades now, computers have been used to automate routine and tedious tasks. But what lay outside the ability of computers was to simulate the human intelligence and, even beyond that, artistic creativity.

Technology has evolved to the point that artificial intelligence (AI) can now “learn” from an artist, recognizing elements of the art created by that person and then creating its own. What, then, is the meaning of art? In 2018, the first AI-created art work—originally projected to sell for $7,000–$10,000—was sold for $442,500. Since then, many artists have started exploring the creative potential that AI can bring to the world.

Sougwen Chung: Machine-Generated Art

Chinese-born Sougwen Chung is an internationally renowned multi-disciplinary artist, who uses hand-drawn and technologically reproduced marks to address theSougwen is painting on a canvas draped table with a small robot on the table closeness between person-to-person and person-to-machine communication. A former research fellow at Massachusetts Institute of Technology’s Media Lab, she is also a current Artist in Residence at Bell Labs and the New Museum of Contemporary Art in New York. Sougwen is one of the pioneering artists of her generation—her art challenges the imagination through its minimalist yet dramatic form. The former Artist in Residence at Google has explored innovative ways to utilize virtual reality as a medium for storytelling and rapid prototyping. Sougwen’s art speaks of movement and change and reflects images of nature in a truly modern setting.

Source: sougwen.com, viridianartists.com and voanews.com

From the Smithsonian to the Kitchen: African American Art is Transforming the Home Decor Business

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Collage of Black Art

Just a few decades ago, Black art was hard to come by in mainstream markets. Artists were largely only viewed at African American museums and at niche galleries.

In 1995, two young African American males in South Los Angeles set out to bridge the gap between Black art collectors and the everyday consumer. Shades of Color fuses Black art into its product line to celebrate one of America’s most influential cultures on household products including home décor, shower curtains, floor mats and kitchen aprons.

As of 2017, the home decor industry was worth $582 billion, and is projected to increase to $741 billion by 2023, according to PR Newswire. There has been an increase in home ownership which has tremendously impacted the home décor market, as stated on the Allied Market Research website.

While the home décor market is constantly expanding, there are still seldom companies that honor African American art on their products. Shades of Color’s partnership with African American artists is proving to be a solution that brings art into the homes of the consumers that truly appreciate it.

“We work with artists to mass produce their art on products which exponentially increases exposure to their craft,” says President, Adrian Woods. “Our artists are an extension of our family and are relatable from the girlfriends of Cidne Wallace to the strong Black fathers by Frank Morrison to the more contemporary styles of Larry Poncho Brown. Our goal is to highlight these artists and be a driving force in ethnic home décor.”

Black art is a reflection of American culture, and Shades of Color’s community is making that art more accessible. All types of consumers have essentially become art collectors without even knowing it. The company’s direct to consumer website features African American artists, a vast catalog of products and global conversations around culture and current affairs. With its ties to community involvement the company is also supporting its greater network. Schools, churches and community groups have earned well over $2 million through the company’s fifteen year fundraising program that is open to everyone.

What began in the mid-90’s as strictly a calendar company is now a leader in an ethnic niche market selling through mass retailers, organizations, main street gift shops and quaint Afrocentric stores across the country. The flagship calendar line preserves history and brings facts, accomplishments and current milestones to light in a time when typical classrooms across the country are still neglecting to include Black history. The entire product line is infused with positive aspirations and imagery that embody this very important aspect of Americana.

“It is touching to hear the reactions,” says Production Manager and Marketing Director, Janine Robinson. “Across social media followers comment on what it feels like to walk into their bathroom, for example, and see a reflection of themselves on a 70” x 70” panel that fills the room. It’s not rare to get several comments saying, ‘That’s me!’ Not only does the product fill the room literally, the art and statements fill and ignite the spirit too. That is the part that makes it all worth it.” #UpliftandInspire

About Shades of Color
Founded in 1995, Shades of Color, LLC is a small Black-owned business producing high quality calendars, stationery, kitchenware, home décor, bags and gifts. It licenses and commissions Black art from renowned African American artists. The company manufactures and distributes its own collections to a global audience. Learn more about their products at www.ShadesGifts.com. Learn more about their Home Décor Collection at www.shadescalendars.com/product-category/homedecor

Continue on to Black News to read the complete article.

Enter the San Diego Latino Film Festival International Poster Competition today!

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San Diego Latino Film Festival Poster Design Contest

The San Diego Latino Film Festival (SDLFF) invites *design professionals, artists, and students* from all over the world to produce a commemorative poster design that will represent the history and legacy of the SDLFF.

SDLFF was born out of a desire to take a stand against the status-quo of cinema, to challenge the reigning and ever-present stereotypes about the Latino experience in movies, and to give Latino filmmakers the power of telling and sharing their stories, first-hand, about what it means to be Latino.

We invite you and all other visionary designers to be a part of our history by submitting your project to consideration. The commemorative poster design shall celebrate our core values and our passion for the Latino culture.

Your design will receive national and international exposure, including but not limited to: the cover of the Official SDLFF 2020 Program book, print ads, TV commercials, social media posts, ads, and web banners. Better yet, the winning artwork will receive a prize of $1,000.00 dollars! 

Continue here for the submission details and guidelines.

HBO’s Watchmen Premiere: All The Big References To The Original Comic Book

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Comic book characters pictured from Watchmen

One of the most revered books out there, comic or otherwise, Alan Moore and Dave Gibbons’ Watchmen is the inspirational touchstone for HBO’s newest TV drama from The Leftovers’ Damon Lindelof.

The Watchmen TV show is a current-day sequel to the original tale, though taking place in a different location and centering on mostly different characters. Regardless of the differences, a plethora of comic-friendly references and easter eggs were infused throughout Watchmen’s premiere as plot-setting connective tissue.

Below is a list of all the big Watchmen comic references that showed up in the TV show’s premiere episode, titled “It’s Summer and We’re Running Out of Ice.” From follow-up weirdness to the main story’s shock ending to the appearance of a certain blue superhero, Watchmen was a smorgasbord of “Wait, did you catch that?” moments that deserve quick rewinds. And without further ado, here’s a mostly sequential order of the biggest comic-inspired highlights. (Check here if you need a new copy).

The Blood On The Boy’s Face

Once the orphaned boy wakes up in the field, following that harrowing opening, he has a splotch of blood on his head that definitely feels like a reference to the blood on The Comedian’s button that kicks off Watchmen and serves as one of its most identifiable symbols. This particular reference comes up very obviously at the end of the episode, but it’s worth pointing out that Damon Lindelof also found a way to work a bloodied face into the start of his story. Metaphors abound.

Mirrored Storytelling

The millionth reason Watchmen remains a celebrated and respected work is because Alan Moore and Dave Gibbons were so meticulous about filling the comics with reflected and repeated art, dialogue and situations; examples include Chapter 5’s palindromic nature, Doctor Manhattan’s photograph obsession, the somewhat prescient Black Freighter text and much more.

Beyond all of the Rorschach masks that don’t move, HBO’s Watchmen already made some use of this narrative style in its opening episode. The biggest example, of course, would be the episode starting off with a celebratory film strip of a heroic black man roping up a foul white dude, and then ending with a potentially wicked black man looking very much like he hung a white lawman from a tree. To top it off, the guy in the wheelchair was holding the same note as the kid from the beginning, indicating that this is either a near-impossibly old version of that kid, or perhaps his son. Who’s the hero here?

Electric Cars

Within the alternate world of Alan Moore and Dave Gibbons’ Watchmen, it would appear that all vehicles are powered electrically, with zero reliance on gasoline for fuel. Though the TV premiere doesn’t take viewers into an assortment of planes, trains and automobiles, it looks like the world help steady with electric car power since the main narrative’s timeline, without the need to revert back to cruder forms.

Rorschach Mask And Journal

Yes, this is one of the most obvious entries on this list, and it won’t be the last one. It’s still worth mentioning that the Seventh Cavalry was founded on the basis of Rorschach’s worldview, and the white supremacist cult uses his signature mask as a unifying symbol (and disguise). Is his journal their Bible, or more of a manifesto?
Masks As “Faces”

Throughout Watchmen’s comic story, Rorschach refers to his mask only as his “face,” particularly whenever he gets arrested and has it taken from him. On the Watchmen TV series, Don Johnson’s Judd tells Tim Blake Nelson’s Looking Glass, “Pull your face down,” in reference to the latter slipping his reflective mask back on. It’s interesting that Damon Lindelof has the authorities using that wording, as opposed to only the Seventh Cavalry adopting it.

Doctor Manhattan Appears

Watchmen’s mystery-laden build-up kept fans in the dark on how many original characters would appear on the HBO show, and thankfully, the pilot doesn’t get too far before dropping some concrete proof that Doctor Manhattan is still on Mars, and has been for the past 30+ years.

Doctor Manhattan showed up on a news program via satellite footage, in which he could be seen destroying a large and elaborate castle he’d created. (Find out more about that from my interview with director and EP Nicole Kassell.) In general, the situation echoed the blue being’s Mars structure in the comic, although in the TV show, Manhattan’s castle appeared to be a mock-up of the dwelling that Jeremy Irons’ character (almost definitely Adrian Veidt) lives in. Very interesting.

Vietnam, Robert Redford And More

It would have been strange had HBO’s Watchmen changed things up here, but it was confirmed early on that Vietnam is still the 51st state in the U.S., and the American flag represents that with an alternate look. Regina King’s Angela was born outside of Saigon, which is a somewhat deeper connection to the country than the brutal scene in the source material with The Comedian and Doctor Manhattan.

Robert Redford (currently sorta retired in our world) is still the President of the U.S. in Watchmen’s universe after a slew of successive terms, and his predecessor Richard Nixon is part of Mouth Rushmore’s quartet. Redford has his detractors for sure, earning him the name “Sundance-in-Chief.”

Smiley Faces

As mentioned already, The smiley face button is an iconic symbol within Watchmen’s pages, with The Comedian’s yellow button echoed in a variety of ways. The same goes for HBO’s Watchmen, of course. Beyond a few arguable examples, the most overt visual smiley reference occurred when Regina King’s Angela showed her class how to make moon cakes. With the camera below a glass mixing bowl, Angela cracked a bunch of eggs, and after the yolks initially resembled a yellow Rorschach design, they quickly settled into the smiley face layout. Notice that “bloodied eye,” too.

Clocks

The Doomsday Clock is another one of Watchmen’s central visual anchors, and the TV show picks up where the comic book left off. Nine times out of ten, if a clock appears on the screen, it’s going to be set between 11:00 and 12:00, in reference to the atomic age catastrophe monitor. In the school, for instance, It looked as if the clock was somewhere around 11:25 a.m. Everyone should be probably be worried when we start seeing times much closer to 12:00.

It’s also no coincidence that the Seventh Cavalry uses adopted a clock’s sounds as its troubling chant: “Tick. Tock. Tick. Tock.” (Though I do wonder why maybe-Veidt’s pocketwatch didn’t follow suit.)

Squids Are Everywhere

Watchmen’s comic book conclusion remains bizarrely surreal all these years later, and Damon Lindelof addresses the Veidt’s squid catastrophe in a big and mysterious way. Though it was one gigantic squid creature that Veidt transported to New York, the TV show’s characters dealt with a temporary rain storm, only with tiny living squids serving as the raindrops.

A squid storms seems like one of the most hilariously disturbing events that could happen in any given day, but Watchmen’s characters are clearly used to it. Angela is quick to get out and wipe the windshield, and there are city cleaning vehicles that were created specifically for removing squids from the streets. But how did things get to this point?

The Minutemen

Within the Watchmen mythos, the first team of vigilante heroes was called the Minutemen, which is with whom The Comedian made a name for himself, both as a hero and as a rapist. (The first versions of Nite Owl and Silk Spectre were also involved.) Much controversy swirled around the various Minutemen members, and within HBO’s Watchmen, those more sordid stories are being showcased through the dramatized TV anthology American Hero Story, a distinctly different AHS than the one airing on FX.

Dirigibles

One of the more curiously unexplained details within Alan Moore and Dave Gibbons’ Watchmen is the pronounced use of skybound dirigibles, often with ads emblazoned. The transportation method made an appearance in HBO’s Watchmen, too, promoting the American Hero Story series.

Continue on to Cinema Blend to read the complete article.

Samuel L. Jackson Signs On As First Amazon Alexa Celebrity Voice

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Samuel L. Jackson at the premiere "Spider-Man Far From Home" (Photo by Gregg DeGuire/WireImage)

Samuel L. Jackson and other celebrities will lend their voices to Amazon’s Alexa devices in a new feature that will be available as a 99-cent upgrade, the tech giant announced at a major product reveal in Seattle.

Other celebrities’ voices will be added next year. The company has recently amped up its affiliations with A-listers in its marketing efforts for Alexa, including Super Bowl ads featuring the likes of Harrison Ford, Cardi B and Anthony Hopkins.

Jackson “can tell you jokes, let you know if it’s raining, set timers and alarms, play music and more – all with a bit of his own personality,” according to the company’s official blog post. The company plans two versions of his voice — “explicit and non-explicit.”

As voice competition ramps up among Amazon, Google and Apple, the push for Alexa dominated the Amazon event. The company also announced updates to its Echo Show video-enabled devices, as well as a $59 version of the Echo Dot featuring a clock and designed for bedstands. Amazon also took the wraps off new Echo units such as Studio, Glow, Flex and Bose-powered wireless earbuds called (what else?) Echo Buds. The $200 Studio is the first high-end Echo model, featuring Dolby Atmos.

There are now 100 million devices equipped with Echo speakers, which Amazon first rolled out five years ago.

Continue on to Deadline to read the complete article.

FAA Certifies UPS to Operate Nation’s First Drone-Delivery Airline

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UPS drone flying in the sky with a UPS delivery box underneath the wings

UPS recently announced that it is the first to receive the official nod from the Federal Aviation Administration (FAA) to operate a full “drone airline,” which will allow it to expand its current small drone delivery service pilots into a country-wide network.

In its announcement of the news, UPS said that it will start by building out its drone delivery solutions specific to hospital campuses nationwide in the U.S., and then to other industries outside of healthcare.

UPS racks up a number of firsts as a result of this milestone, thanks to how closely it has been working with the FAA throughout its development and testing process for drone deliveries. As soon as it was awarded the certification, it did a delivery for WakeMed hospital in Raleigh, N.C. using a Matternet drone, and it also became the first commercial operator to perform a drone delivery for an actual paying customer outside of line of sight thanks to an exemption it received from the government.

This certification, officially titled FAA’s “Part 135 Standard certification,” offers far-reaching and broad license to companies who attain it — much more freedom than any commercial drone operation has had previously in the U.S.

Obviously, it’s a huge win for UPS Flight Forward, which is the dedicated UPS subsidiary the company announced it had formed back in July to focus entirely on building out the company’s drone delivery business. But there’s still a lot left to do before you can expect UPS drones to be a regular fixture, or even at all visible in the lives of the average American.

Continue on to TechCrunch to read the complete article.

Two female astronauts make history. How to watch NASA’s first all-female spacewalk

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two women in spacesuits pictured working outside spaceship

Men have floated out the hatch on all 420 spacewalks conducted over the past half-century. That changed recently with spacewalk No. 421.

NASA astronauts Christina Koch and Jessica Meir ventured outside the International Space Station recently and spevt over five hours replacing a broken battery charger, or BCDU. NASA’s livestream of the historic spacewalk features astronaut Tracy Caldwell Dyson as one of the female narrators.

The units have previously been replaced using a robotic arm, but the newly failed unit is too far away for it to reach.

The units regulate how much energy flows from the station’s massive solar panels to battery units, which are used to provide power during nighttime passes around Earth. Three previous spacewalks had been planned to replace lithium-ion batteries, but those will be rescheduled until the latest BCDU issue is resolved.

The hardware failure does present some concern, especially since another BCDU was replaced in April and there are only four more backups on the station. In total, there are 24 operational BCDUs.

The battery charger failed after Koch and a male crewmate installed new batteries outside the space station last week. NASA put the remaining battery replacements on hold to fix the problem and moved up the women’s planned spacewalk by three days.

All four men aboard the ISS remained inside during the spacewalk.

The spacewalk is Koch’s fourth and Meir’s first.

Continue on to USA Today to read the complete article.

Maggie’s World 075: Dressing Up

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costume sensations wonder woman and harley quinn are pictured in a comic book

By Maggie Thompson

In October, variety stores fill with a wide assortment of fantastic get-ups, both for kids and for adults. But throughout the year, comics events feature a vast array of costumes on display, worn by both kids and adults.

That year-round pop culture feature is relatively recent, mind you. Though science fiction conventions included costume competitions over the decades, “hall costumes” were not the norm. Might it have been comics and similar pop culture conventions that introduced the tradition of cosplay throughout a show’s duration? (The portmanteau word “cosplay” has become the accepted term for “costume play.”)

In any case, as Batman, Spider-Man, and Wonder Woman outfits hang on store racks before Halloween, their presence sparks thoughts of comics character garb in general—including whys and hows.

Simple to Complex
In the Golden Age, crime-fighting characters didn’t have to get super-fancy. Even Denny Colt didn’t need to wear a domino mask and live in a cemetery (though that certainly set him apart); he could have just worn a business suit and snap-brim fedora most of the time.

But he was part of the whole “identity” aspect of comics adventures—a feature shared by good guys and bad—that caught the eye. It was a tradition that had existed long before comics: the idea that ordinary folks could interact with fantastic characters who were often in disguise. Such pop-culture figures as the Count of Monte Cristo (1844, Alexandre Dumas), Scarlet Pimpernel (1903, Baroness Orczy), and Zorro (1919, Johnston McCulley) expanded on the tradition, some in costume, some not.

But the whole hanging-around-in-costume gambit to beat the baddies, solve the mysteries, help the helpless, and/or save the endangered? In fact, today, we have many protectors whose clothing identifies such roles to the public: police, soldiers, and firefighters among them. What they wear lets us know the ways in which they help us.

But in some fiction (see Pimpernel and Zorro), there’s an added aspect of hiding identity: High-schooler Peter Parker can fit in; crime-fighting Spider-Man stands (and swings) out.

But Also …

In addition to hiding identity, the costume can be an identity in itself.

Whether in the Golden Age, the Silver Age, or these days, when a bunch of characters are shown together (whether chatting or fighting), readers can tell, for example, Hulk from Thing and Superman from Batman.

When a story is told in pictures, costumes clarify that sort of identification. The Lone Ranger was created in 1933 for audio storytelling; when artists began to picture him, he soon donned a domino mask, but exactly what he wore varied. In the 1938 Republic serial, his mask wasn’t the simple domino known to later fans, but—what with pulps, comic strips, and comic books—his familiar mask and costume soon evolved. And then we knew who he was, whether or not he was calling his horse Silver.

Readers can spot such characters in whatever comics panels they inhabit. Heck, readers can even identify the same character as he or she exists in different eras. You know the heroes’ time period from what they wear. I have a set of three “Unemployed Philosophers Guild” licensed cups from 2015 decorated with costume evolution through the years: one each for Wonder Woman, Superman, and Batman.

Those cups reveal another aspect of costumes: Whatever the necessities of storytelling may be, costumes—and changes thereof—can also bring in licensing cash.

Again, look around stores in October. And look at the kids at your front door, as they celebrate Halloween by wearing what they’ve bought in those stores. You validate the success of their choices when you identify their super-identities because they’re wearing licensed outfits.

Continue on to COMIC-CON to read the complete article.

Stranger Things Renewed For Season 4 As Netflix Makes Overall Deal With The Duffer Brothers

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The Stranger Things Cast pose together for a picture

Netflix has renewed the worldwide hit series Stranger Things for a fourth season and signed series creators and showrunners The Duffer Brothers to a multi-year film and series overall deal.

“The Duffer Brothers have captivated viewers around the world with Stranger Things and we’re thrilled to expand our relationship with them to bring their vivid imaginations to other film and series projects our members will love,” said Ted Sarandos, Chief Content Officer, Netflix.

“We can’t wait to see what The Duffer Brothers have in store when they step outside the world of The Upside Down.”

“We are absolutely thrilled to continue our relationship with Netflix. Ted Sarandos, Cindy Holland, Brian Wright, and Matt Thunell took a huge chance on us and our show — and forever changed our lives. From our first pitch meeting to the release of Stranger Things 3, the entire team at Netflix has been nothing short of sensational, providing us with the kind of support, guidance, and creative freedom we always dreamed about.

We can’t wait to tell many more stories together — beginning, of course, with a return trip to Hawkins!”

View the the Stranger Things 4 announcement video

About The Series:

Stranger Things is a Netflix Original Series created by The Duffer Brothers and produced by Monkey Massacre Productions & 21 Laps Entertainment. The Duffer Brothers serve as executive producers on the series alongside Shawn Levy and Dan Cohen of 21 Laps Entertainment and Iain Paterson.

About The Duffer Brothers:

The twin brothers were raised in Durham, North Carolina and began making films in the third grade using the Hi8 camcorder they received as a gift from their parents. They went on to attend Chapman University’s Dodge College of Film and Media Arts, graduating in 2007 with degrees in film production.

After graduating, the Duffer Brothers wrote and directed several short films, attracting the attention of both Warner Bros., which acquired their script for the post-apocalyptic horror film Hidden, and filmmaker M. Night Shyamalan, who hired them as writers for multiple episodes of the Fox series Wayward Pines.

Building on their growing success, the Duffer Brothers pitched their idea for Stranger Things, an homage to 1980s genre films. The series was picked up by Netflix and premiered in the summer of 2016 to critical-acclaim and went on to become a global phenomenon, with Matt and Ross at the helm as writers, directors and showrunners.

Stranger Things has garnered over 50 awards nominations, including those from the Emmys, the Golden Globes, the Grammys, SAG, DGA, WGA, BAFTA, the Art Directors Guild and the People’s Choice Awards, among many others.

About Netflix:

Netflix is the world’s leading internet entertainment service with over 151 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.

Rapper Residente partners with scientists to create music with brain patterns

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Rapper Residente sitting on couch dresed in black and baseball cap

Grammy-winning rapper Residente has some new collaborators on his upcoming album: scientists. The Puerto Rican performer said he studied intensely with professors at Yale University and New York University to read brain patterns in worms, mice, monkeys, fruit flies and even hitmaker Bad Bunny to create his second solo project.

“(The album is) going to be about everything that I have inside of my head … because of that I kept brainstorming and I said, ‘Oh I have to study my brain, and then I have to study other people’s brains, and then I have to study animals’ brains,'” he said.

Daniel Alfonso Colón-Ramos, an associate professor of neuroscience at Yale, said Residente spent days at the school doing research.

“We were joking that we should give him a diploma,” said Colón-Ramos.

On campus, they used electroencephalogram (EEG) tests on worms to track and record brain wave patterns.

“Without harming the animals we can actually see as the animal is thinking, as it’s moving, as it’s exploring its environment, we can see individual cells talking into each other. It turns out when these cells, when these neurons talk to each other they’re using rhythms to communicate — we call it rhythms of activity. But, at the end of the day, those rhythms can be turned into music,” Colón-Ramos said.

The untitled album will be released in November. Residente, born René Juan Pérez Joglar, worked with Suzanne Dikker, a senior research scientist in NYU’s Department of Psychology, to use EEG tests on himself and Bad Bunny to produce the album’s first single, “Bellacoso.”

Continue on to NBC News to read the complete article.

40th College Television Awards Submission Period Begins Sept. 5

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College Television Awards logo

The Television Academy Foundation Awards Ceremony Celebrates Student-Produced Programs From Colleges Nationwide. The submission period for the Television Academy Foundation’s 40th College Television Awards is Sept. 5 through Oct. 3, 2019.

Each year hundreds of graduate and undergraduate students, representing colleges and universities nationwide, submit their media projects to television’s most prestigious student competition—the Television Academy Foundation’s College Television Awards.

The College Television Awards honors achievement in student-produced programs and will feature stars from today’s top television shows presenting awards to winners at the red-carpet awards ceremony.

Emulating the Emmy® Awards selection process, entries for the College Television Awards are judged by Television Academy members. Top honors and a $3,000 cash prize will be presented to winning teams in eight categories: drama, comedy, animation, nonfiction, promotional, news, sports and variety. The College Television Awards also includes two additional, donor-supported, categories: the Seymour Bricker Humanitarian Award and the Loreen Arbus Focus on Disability Scholarship.

In addition to the awards ceremony, the nominees will take part in a three-day television summit hosted by the Television Academy Foundation. The summit, designed to enhance professional development, will feature panel discussions, studio tours and networking opportunities with industry executives and Academy members.

The College Television Awards often serves as an entry point for a career in television for nominees and winners. Past alumni have worked as editors, writers, producers and other positions on programs including Ray Donovan, The Handmaid’s Tale, Tom Clancy’s Jack Ryan, CBS This Morning, Unbreakable Kimmy Schmidt, Grey’s Anatomy, 60 Minutes, Empire and many more.

For additional information, visit TelevisionAcademy.com/CTA.

To read the complete article continue on to The Patch.