See Cardi B & Chance The Rapper In The Trailer For Netflix’s New Hip-Hop Competition Series

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Cardi B, Chance the Rapper and TI sitting in chais onstage

Netflix recently premiered the first teaser for the new hip-hop competition show, Rhythm + Flow, during Cardi B’s set at Philadelphia’s Made In America festival.

The trailer shows Cardi, Chance The Rapper, and T.I. as judges on the series. “Creativity doesn’t have blueprints,” Chance says in the new clip. Cardi adds, “It’s gonna be litty.”

The first four episodes of the three-week, 10-episode series hits Netflix on 10/9.

These Rhythm + Flow audition episodes will take place in Los Angeles, New York, Chicago, and Atlanta. On 10/16, three more episodes will be released, featuring cyphers, rap battles, and music videos.

The final three episodes, premiering 10/23, will focus on samples, collaborations, and declaring “the next hip-hop sensation.”

Continue on to Stereogum to read the complete article

Calling Native American Student Artists! American Indian College Fund, Pendleton Host Design Contest

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Pendleton Design Contest Promo

Pendleton Woolen Mills, the acclaimed lifestyle brand headquartered in Portland, Oregon, creates dazzling blankets as part of Pendleton’s American Indian College Fund collection, of which a portion of the proceeds provides scholarships for Native American students.

To give voice to rising Native artists while honoring the richness of Native arts and cultures, the American Indian College Fund and Pendleton are announcing the Tribal College Blanket Design Contest. Open to tribal college students, the contest challenges students to express their culture and identity through original artistic designs to be incorporated into the next tribal college student designed blanket to be featured and sold in the blanket collection to give back to the Native community by helping to support American Indian College Fund scholarships.

Contest participants must be currently enrolled in one of the 35 American Indian Higher Education Consortium tribal colleges and universities (TCUs). Textile design experience is not necessary to enter. Only current TCU students are eligible to participate. Students cannot submit more than two designs. All submissions must be received by 11:59pm MST on February 15, 2020.

A committee comprised of Native American artists and College Fund and Pendleton staff will select the winning blanket designs. Prizes include the following:

  • Grand Prize winners: $2,000 cash, a $5,000 scholarship, and six of the winning blankets.
  • Second Place winners: $500 cash and a $2,500 scholarship.
  • Third Place winners: $250 cash and a $1,500 scholarship.

For submission guidelines and applications, please visit the American Indian College Fund’s web site at https://collegefund.org/pendletoncontest.

About the American Indian College Fund—Founded in 1989, the American Indian College Fund has been the nation’s largest charity supporting Native higher education for 30 years. The College Fund believes “Education is the answer” and provided $7.72 million in scholarships to 3,900 American Indian students in 2018-19, with nearly 137,000 scholarships and community support totaling over $208 million since its inception. The College Fund also supports a variety of academic and support programs at the nation’s 35 accredited tribal colleges and universities, which are located on or near Indian reservations, ensuring students have the tools to graduate and succeed in their careers. The College Fund consistently receives top ratings from independent charity evaluators and is one of the nation’s top 100 charities named to the Better Business Bureau’s Wise Giving Alliance. For more information about the American Indian College Fund, please visit collegefund.org.

From the Smithsonian to the Kitchen: African American Art is Transforming the Home Decor Business

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Collage of Black Art

Just a few decades ago, Black art was hard to come by in mainstream markets. Artists were largely only viewed at African American museums and at niche galleries.

In 1995, two young African American males in South Los Angeles set out to bridge the gap between Black art collectors and the everyday consumer. Shades of Color fuses Black art into its product line to celebrate one of America’s most influential cultures on household products including home décor, shower curtains, floor mats and kitchen aprons.

As of 2017, the home decor industry was worth $582 billion, and is projected to increase to $741 billion by 2023, according to PR Newswire. There has been an increase in home ownership which has tremendously impacted the home décor market, as stated on the Allied Market Research website.

While the home décor market is constantly expanding, there are still seldom companies that honor African American art on their products. Shades of Color’s partnership with African American artists is proving to be a solution that brings art into the homes of the consumers that truly appreciate it.

“We work with artists to mass produce their art on products which exponentially increases exposure to their craft,” says President, Adrian Woods. “Our artists are an extension of our family and are relatable from the girlfriends of Cidne Wallace to the strong Black fathers by Frank Morrison to the more contemporary styles of Larry Poncho Brown. Our goal is to highlight these artists and be a driving force in ethnic home décor.”

Black art is a reflection of American culture, and Shades of Color’s community is making that art more accessible. All types of consumers have essentially become art collectors without even knowing it. The company’s direct to consumer website features African American artists, a vast catalog of products and global conversations around culture and current affairs. With its ties to community involvement the company is also supporting its greater network. Schools, churches and community groups have earned well over $2 million through the company’s fifteen year fundraising program that is open to everyone.

What began in the mid-90’s as strictly a calendar company is now a leader in an ethnic niche market selling through mass retailers, organizations, main street gift shops and quaint Afrocentric stores across the country. The flagship calendar line preserves history and brings facts, accomplishments and current milestones to light in a time when typical classrooms across the country are still neglecting to include Black history. The entire product line is infused with positive aspirations and imagery that embody this very important aspect of Americana.

“It is touching to hear the reactions,” says Production Manager and Marketing Director, Janine Robinson. “Across social media followers comment on what it feels like to walk into their bathroom, for example, and see a reflection of themselves on a 70” x 70” panel that fills the room. It’s not rare to get several comments saying, ‘That’s me!’ Not only does the product fill the room literally, the art and statements fill and ignite the spirit too. That is the part that makes it all worth it.” #UpliftandInspire

About Shades of Color
Founded in 1995, Shades of Color, LLC is a small Black-owned business producing high quality calendars, stationery, kitchenware, home décor, bags and gifts. It licenses and commissions Black art from renowned African American artists. The company manufactures and distributes its own collections to a global audience. Learn more about their products at www.ShadesGifts.com. Learn more about their Home Décor Collection at www.shadescalendars.com/product-category/homedecor

Continue on to Black News to read the complete article.

‘Star Trek’ Internship Program Launches at CBS Television Studios, Television Academy Foundation

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Star Trek logo

CBS TV Studios and the Television Academy Foundation are coming together to help a group of students live long and prosper.

The two have announced a partnership to launch the “Star Trek” Command Training Program, an internship open to graduate and undergraduate college students nationwide, in 2020.

Initially, the new program will place two interns per semester on a “Star Trek” series, providing them a “360-degree immersion” in the production process of the “Star Trek” universe. Selected interns will also be allowed to actively engage in writers’ rooms, wardrobe design, on-set production, animation and post-production on Los Angeles-based programs.

“When Gene Roddenberry created the original ‘Star Trek’ series over 50 years ago, it challenged stereotypes and championed diversity and inclusion in an unprecedented way,” said Alex Kurtzman, the executive producer who currently oversees the “Star Trek” universe. “The Command Training Program is our commitment to expanding that inspirational vision across the entire ‘Star Trek’ canon. The ‘Star Trek’ universe is an ideal place to celebrate new voices and perspectives. We want to provide the framework to begin entertainment careers in a meaningful way and can’t wait to get started.”

Applications for the program, which is designed to “reflect the franchise’s core values of inclusion and diversity,” will be open from Nov. 14 through Jan. 21, 2020, with final selections being announced at the end of March.

Continue on to Variety to read the complete article.

Enter the San Diego Latino Film Festival International Poster Competition today!

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San Diego Latino Film Festival Poster Design Contest

The San Diego Latino Film Festival (SDLFF) invites *design professionals, artists, and students* from all over the world to produce a commemorative poster design that will represent the history and legacy of the SDLFF.

SDLFF was born out of a desire to take a stand against the status-quo of cinema, to challenge the reigning and ever-present stereotypes about the Latino experience in movies, and to give Latino filmmakers the power of telling and sharing their stories, first-hand, about what it means to be Latino.

We invite you and all other visionary designers to be a part of our history by submitting your project to consideration. The commemorative poster design shall celebrate our core values and our passion for the Latino culture.

Your design will receive national and international exposure, including but not limited to: the cover of the Official SDLFF 2020 Program book, print ads, TV commercials, social media posts, ads, and web banners. Better yet, the winning artwork will receive a prize of $1,000.00 dollars! 

Continue here for the submission details and guidelines.

HBO’s Watchmen Premiere: All The Big References To The Original Comic Book

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Comic book characters pictured from Watchmen

One of the most revered books out there, comic or otherwise, Alan Moore and Dave Gibbons’ Watchmen is the inspirational touchstone for HBO’s newest TV drama from The Leftovers’ Damon Lindelof.

The Watchmen TV show is a current-day sequel to the original tale, though taking place in a different location and centering on mostly different characters. Regardless of the differences, a plethora of comic-friendly references and easter eggs were infused throughout Watchmen’s premiere as plot-setting connective tissue.

Below is a list of all the big Watchmen comic references that showed up in the TV show’s premiere episode, titled “It’s Summer and We’re Running Out of Ice.” From follow-up weirdness to the main story’s shock ending to the appearance of a certain blue superhero, Watchmen was a smorgasbord of “Wait, did you catch that?” moments that deserve quick rewinds. And without further ado, here’s a mostly sequential order of the biggest comic-inspired highlights. (Check here if you need a new copy).

The Blood On The Boy’s Face

Once the orphaned boy wakes up in the field, following that harrowing opening, he has a splotch of blood on his head that definitely feels like a reference to the blood on The Comedian’s button that kicks off Watchmen and serves as one of its most identifiable symbols. This particular reference comes up very obviously at the end of the episode, but it’s worth pointing out that Damon Lindelof also found a way to work a bloodied face into the start of his story. Metaphors abound.

Mirrored Storytelling

The millionth reason Watchmen remains a celebrated and respected work is because Alan Moore and Dave Gibbons were so meticulous about filling the comics with reflected and repeated art, dialogue and situations; examples include Chapter 5’s palindromic nature, Doctor Manhattan’s photograph obsession, the somewhat prescient Black Freighter text and much more.

Beyond all of the Rorschach masks that don’t move, HBO’s Watchmen already made some use of this narrative style in its opening episode. The biggest example, of course, would be the episode starting off with a celebratory film strip of a heroic black man roping up a foul white dude, and then ending with a potentially wicked black man looking very much like he hung a white lawman from a tree. To top it off, the guy in the wheelchair was holding the same note as the kid from the beginning, indicating that this is either a near-impossibly old version of that kid, or perhaps his son. Who’s the hero here?

Electric Cars

Within the alternate world of Alan Moore and Dave Gibbons’ Watchmen, it would appear that all vehicles are powered electrically, with zero reliance on gasoline for fuel. Though the TV premiere doesn’t take viewers into an assortment of planes, trains and automobiles, it looks like the world help steady with electric car power since the main narrative’s timeline, without the need to revert back to cruder forms.

Rorschach Mask And Journal

Yes, this is one of the most obvious entries on this list, and it won’t be the last one. It’s still worth mentioning that the Seventh Cavalry was founded on the basis of Rorschach’s worldview, and the white supremacist cult uses his signature mask as a unifying symbol (and disguise). Is his journal their Bible, or more of a manifesto?
Masks As “Faces”

Throughout Watchmen’s comic story, Rorschach refers to his mask only as his “face,” particularly whenever he gets arrested and has it taken from him. On the Watchmen TV series, Don Johnson’s Judd tells Tim Blake Nelson’s Looking Glass, “Pull your face down,” in reference to the latter slipping his reflective mask back on. It’s interesting that Damon Lindelof has the authorities using that wording, as opposed to only the Seventh Cavalry adopting it.

Doctor Manhattan Appears

Watchmen’s mystery-laden build-up kept fans in the dark on how many original characters would appear on the HBO show, and thankfully, the pilot doesn’t get too far before dropping some concrete proof that Doctor Manhattan is still on Mars, and has been for the past 30+ years.

Doctor Manhattan showed up on a news program via satellite footage, in which he could be seen destroying a large and elaborate castle he’d created. (Find out more about that from my interview with director and EP Nicole Kassell.) In general, the situation echoed the blue being’s Mars structure in the comic, although in the TV show, Manhattan’s castle appeared to be a mock-up of the dwelling that Jeremy Irons’ character (almost definitely Adrian Veidt) lives in. Very interesting.

Vietnam, Robert Redford And More

It would have been strange had HBO’s Watchmen changed things up here, but it was confirmed early on that Vietnam is still the 51st state in the U.S., and the American flag represents that with an alternate look. Regina King’s Angela was born outside of Saigon, which is a somewhat deeper connection to the country than the brutal scene in the source material with The Comedian and Doctor Manhattan.

Robert Redford (currently sorta retired in our world) is still the President of the U.S. in Watchmen’s universe after a slew of successive terms, and his predecessor Richard Nixon is part of Mouth Rushmore’s quartet. Redford has his detractors for sure, earning him the name “Sundance-in-Chief.”

Smiley Faces

As mentioned already, The smiley face button is an iconic symbol within Watchmen’s pages, with The Comedian’s yellow button echoed in a variety of ways. The same goes for HBO’s Watchmen, of course. Beyond a few arguable examples, the most overt visual smiley reference occurred when Regina King’s Angela showed her class how to make moon cakes. With the camera below a glass mixing bowl, Angela cracked a bunch of eggs, and after the yolks initially resembled a yellow Rorschach design, they quickly settled into the smiley face layout. Notice that “bloodied eye,” too.

Clocks

The Doomsday Clock is another one of Watchmen’s central visual anchors, and the TV show picks up where the comic book left off. Nine times out of ten, if a clock appears on the screen, it’s going to be set between 11:00 and 12:00, in reference to the atomic age catastrophe monitor. In the school, for instance, It looked as if the clock was somewhere around 11:25 a.m. Everyone should be probably be worried when we start seeing times much closer to 12:00.

It’s also no coincidence that the Seventh Cavalry uses adopted a clock’s sounds as its troubling chant: “Tick. Tock. Tick. Tock.” (Though I do wonder why maybe-Veidt’s pocketwatch didn’t follow suit.)

Squids Are Everywhere

Watchmen’s comic book conclusion remains bizarrely surreal all these years later, and Damon Lindelof addresses the Veidt’s squid catastrophe in a big and mysterious way. Though it was one gigantic squid creature that Veidt transported to New York, the TV show’s characters dealt with a temporary rain storm, only with tiny living squids serving as the raindrops.

A squid storms seems like one of the most hilariously disturbing events that could happen in any given day, but Watchmen’s characters are clearly used to it. Angela is quick to get out and wipe the windshield, and there are city cleaning vehicles that were created specifically for removing squids from the streets. But how did things get to this point?

The Minutemen

Within the Watchmen mythos, the first team of vigilante heroes was called the Minutemen, which is with whom The Comedian made a name for himself, both as a hero and as a rapist. (The first versions of Nite Owl and Silk Spectre were also involved.) Much controversy swirled around the various Minutemen members, and within HBO’s Watchmen, those more sordid stories are being showcased through the dramatized TV anthology American Hero Story, a distinctly different AHS than the one airing on FX.

Dirigibles

One of the more curiously unexplained details within Alan Moore and Dave Gibbons’ Watchmen is the pronounced use of skybound dirigibles, often with ads emblazoned. The transportation method made an appearance in HBO’s Watchmen, too, promoting the American Hero Story series.

Continue on to Cinema Blend to read the complete article.

Samuel L. Jackson Signs On As First Amazon Alexa Celebrity Voice

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Samuel L. Jackson at the premiere "Spider-Man Far From Home" (Photo by Gregg DeGuire/WireImage)

Samuel L. Jackson and other celebrities will lend their voices to Amazon’s Alexa devices in a new feature that will be available as a 99-cent upgrade, the tech giant announced at a major product reveal in Seattle.

Other celebrities’ voices will be added next year. The company has recently amped up its affiliations with A-listers in its marketing efforts for Alexa, including Super Bowl ads featuring the likes of Harrison Ford, Cardi B and Anthony Hopkins.

Jackson “can tell you jokes, let you know if it’s raining, set timers and alarms, play music and more – all with a bit of his own personality,” according to the company’s official blog post. The company plans two versions of his voice — “explicit and non-explicit.”

As voice competition ramps up among Amazon, Google and Apple, the push for Alexa dominated the Amazon event. The company also announced updates to its Echo Show video-enabled devices, as well as a $59 version of the Echo Dot featuring a clock and designed for bedstands. Amazon also took the wraps off new Echo units such as Studio, Glow, Flex and Bose-powered wireless earbuds called (what else?) Echo Buds. The $200 Studio is the first high-end Echo model, featuring Dolby Atmos.

There are now 100 million devices equipped with Echo speakers, which Amazon first rolled out five years ago.

Continue on to Deadline to read the complete article.

Maggie’s World 075: Dressing Up

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costume sensations wonder woman and harley quinn are pictured in a comic book

By Maggie Thompson

In October, variety stores fill with a wide assortment of fantastic get-ups, both for kids and for adults. But throughout the year, comics events feature a vast array of costumes on display, worn by both kids and adults.

That year-round pop culture feature is relatively recent, mind you. Though science fiction conventions included costume competitions over the decades, “hall costumes” were not the norm. Might it have been comics and similar pop culture conventions that introduced the tradition of cosplay throughout a show’s duration? (The portmanteau word “cosplay” has become the accepted term for “costume play.”)

In any case, as Batman, Spider-Man, and Wonder Woman outfits hang on store racks before Halloween, their presence sparks thoughts of comics character garb in general—including whys and hows.

Simple to Complex
In the Golden Age, crime-fighting characters didn’t have to get super-fancy. Even Denny Colt didn’t need to wear a domino mask and live in a cemetery (though that certainly set him apart); he could have just worn a business suit and snap-brim fedora most of the time.

But he was part of the whole “identity” aspect of comics adventures—a feature shared by good guys and bad—that caught the eye. It was a tradition that had existed long before comics: the idea that ordinary folks could interact with fantastic characters who were often in disguise. Such pop-culture figures as the Count of Monte Cristo (1844, Alexandre Dumas), Scarlet Pimpernel (1903, Baroness Orczy), and Zorro (1919, Johnston McCulley) expanded on the tradition, some in costume, some not.

But the whole hanging-around-in-costume gambit to beat the baddies, solve the mysteries, help the helpless, and/or save the endangered? In fact, today, we have many protectors whose clothing identifies such roles to the public: police, soldiers, and firefighters among them. What they wear lets us know the ways in which they help us.

But in some fiction (see Pimpernel and Zorro), there’s an added aspect of hiding identity: High-schooler Peter Parker can fit in; crime-fighting Spider-Man stands (and swings) out.

But Also …

In addition to hiding identity, the costume can be an identity in itself.

Whether in the Golden Age, the Silver Age, or these days, when a bunch of characters are shown together (whether chatting or fighting), readers can tell, for example, Hulk from Thing and Superman from Batman.

When a story is told in pictures, costumes clarify that sort of identification. The Lone Ranger was created in 1933 for audio storytelling; when artists began to picture him, he soon donned a domino mask, but exactly what he wore varied. In the 1938 Republic serial, his mask wasn’t the simple domino known to later fans, but—what with pulps, comic strips, and comic books—his familiar mask and costume soon evolved. And then we knew who he was, whether or not he was calling his horse Silver.

Readers can spot such characters in whatever comics panels they inhabit. Heck, readers can even identify the same character as he or she exists in different eras. You know the heroes’ time period from what they wear. I have a set of three “Unemployed Philosophers Guild” licensed cups from 2015 decorated with costume evolution through the years: one each for Wonder Woman, Superman, and Batman.

Those cups reveal another aspect of costumes: Whatever the necessities of storytelling may be, costumes—and changes thereof—can also bring in licensing cash.

Again, look around stores in October. And look at the kids at your front door, as they celebrate Halloween by wearing what they’ve bought in those stores. You validate the success of their choices when you identify their super-identities because they’re wearing licensed outfits.

Continue on to COMIC-CON to read the complete article.

Stranger Things Renewed For Season 4 As Netflix Makes Overall Deal With The Duffer Brothers

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The Stranger Things Cast pose together for a picture

Netflix has renewed the worldwide hit series Stranger Things for a fourth season and signed series creators and showrunners The Duffer Brothers to a multi-year film and series overall deal.

“The Duffer Brothers have captivated viewers around the world with Stranger Things and we’re thrilled to expand our relationship with them to bring their vivid imaginations to other film and series projects our members will love,” said Ted Sarandos, Chief Content Officer, Netflix.

“We can’t wait to see what The Duffer Brothers have in store when they step outside the world of The Upside Down.”

“We are absolutely thrilled to continue our relationship with Netflix. Ted Sarandos, Cindy Holland, Brian Wright, and Matt Thunell took a huge chance on us and our show — and forever changed our lives. From our first pitch meeting to the release of Stranger Things 3, the entire team at Netflix has been nothing short of sensational, providing us with the kind of support, guidance, and creative freedom we always dreamed about.

We can’t wait to tell many more stories together — beginning, of course, with a return trip to Hawkins!”

View the the Stranger Things 4 announcement video

About The Series:

Stranger Things is a Netflix Original Series created by The Duffer Brothers and produced by Monkey Massacre Productions & 21 Laps Entertainment. The Duffer Brothers serve as executive producers on the series alongside Shawn Levy and Dan Cohen of 21 Laps Entertainment and Iain Paterson.

About The Duffer Brothers:

The twin brothers were raised in Durham, North Carolina and began making films in the third grade using the Hi8 camcorder they received as a gift from their parents. They went on to attend Chapman University’s Dodge College of Film and Media Arts, graduating in 2007 with degrees in film production.

After graduating, the Duffer Brothers wrote and directed several short films, attracting the attention of both Warner Bros., which acquired their script for the post-apocalyptic horror film Hidden, and filmmaker M. Night Shyamalan, who hired them as writers for multiple episodes of the Fox series Wayward Pines.

Building on their growing success, the Duffer Brothers pitched their idea for Stranger Things, an homage to 1980s genre films. The series was picked up by Netflix and premiered in the summer of 2016 to critical-acclaim and went on to become a global phenomenon, with Matt and Ross at the helm as writers, directors and showrunners.

Stranger Things has garnered over 50 awards nominations, including those from the Emmys, the Golden Globes, the Grammys, SAG, DGA, WGA, BAFTA, the Art Directors Guild and the People’s Choice Awards, among many others.

About Netflix:

Netflix is the world’s leading internet entertainment service with over 151 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.

Selena Gomez’s dream came true when she spent her day with the sharks from “Shark Tank!”

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Selena Gomez poses with the Shark Tank cast smiling and waving her hand

The “I Can’t Get Enough” star finally cashed in on her birthday present by hanging out on set of the hit reality show. Gomez, who’s a self-proclaimed mega-fan of the show, was gifted a day with the sharks by her friends for her 27th birthday.

Sharing several videos and pictures from behind-the-scenes on Friday, Gomez clearly enjoyed her time with Mark Cuban, Kevin O’Leary, Lori Greiner, and Robert Herjavec. The singer wasn’t the only A-listers who was pumped for her day on the set. Herjavec posted a snap with Gomez and wrote, “Guess who made it into the tank!” But it wasn’t all fun and games for the superstar.

Corcoran revealed they had a bet on whether the next business pitch would get a deal from the sharks and Gomez lost.

She made sure to document the loss too. Sharing a pic of Gomez holding up a sign reading “I beat Selena,” the businesswoman couldn’t help but gloat.

“@selenagomez tried her hand at @sharktankabc making a bet on whether the next business would get a deal. She lost! I won!” she wrote. “And to her great credit, she was waiting on set to pay off her $10 debt. What a class act!”

Gomez recently celebrated her 27th birthday in July.

As The Blast reported, she got the surprise of a lifetime when Mark Cuban sent her a personal message inviting her to watch the sharks in action.

Continue on to The Blast to read the complete article.

WonderWorks Debuts Wonder of Magic Halloween Spooktacular Show

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Actors dressed in Halloween costumes

WonderWorks is known for entertaining the whole family all year long, but they are setting out to give people a spooky treat this fall.

Their ongoing family friendly magic show will be transformed for the season, becoming the “Wonders of Magic Halloween Spooktacular.” The show will run from September 30, 2019 through November 2, 2019, with tickets being $18.99, plus tax, for all ages. The show is unique to the Pigeon Forge area, making it a special experience for all.

“We are really excited that Terry and the cast will be presenting a Halloween themed show for the first time. The show will be a little spooky but, as always, completely family friendly and tons of fun,” explains Ed Shaffer, general manager for WonderWorks in Pigeon Forge. “With the addition of the Halloween show to our lineup, fans of the Wonders of Magic will now have a chance to see three different shows throughout the year!”

The Wonders of Magic Show features Terry Evanswood, who has been awarded for putting on the Best Magic Shows in Pigeon Forge, and is the longest running headline performer in town. His shows are consistently sold out, and leave audiences in awe at the amazing magic that he is able to perform. The Halloween Spooktacular will offer guests a spooky good time, as it includes special costumes and props that have not been used in other shows. There will also be an array of spooky elements, including fog, haunting sounds, flashing lights, and plenty of eye-bending fun.

Being the only show of its kind in the area, the show times are expected to sell out quickly. Those looking for a family friendly way to get into the Halloween spirit will want to get their seats reserved early. Crowds can expect to be dazzled, amazed, and left in wonder at how Terry is able to pull off the spooky magic. This show is family friendly, with all ages welcome.

“This is going to be the event you don’t want to miss this year,” added Shaffer. “You will laugh, you will get a little spooked, and you will leave having created a great family memory.”

The Wonders of Magic Halloween Spooktacular show times will be 5:30 pm on September 30, 2019, 5:30 pm on Monday’s and Wednesday’s through October 2019, 5:30 pm and 8:00 pm on Friday’s and Saturday’s in October 2019, and select other dates. To see the full schedule and reserve show tickets, visit the site: wonderworksonline.com/pigeon-forge/the-experience/.

WonderWorks in Pigeon Forge offers 35,000 square feet of “edu-tainment” opportunities, billing itself as an amusement park for the mind. They offer over 100 hands-on exhibits covering natural disasters, space discovery, an imagination lab, a physical challenge zone, a far out art gallery, and a light and sound zone. WonderWorks is open daily from 10 a.m. until 9 p.m. For more information, log onto their site: wonderworksonline.com/pigeon-forge/.

About WonderWorks
WonderWorks, a science focused indoor amusement park, combines education and entertainment. With over 100 hands-on exhibits – there is something unique and challenging for all ages. Feel the power of 71mph hurricane–force winds in the Hurricane Shack. Make huge, life–sized bubbles in the Bubble Lab. Get the NASA treatment in our Astronaut Training Gyro and experience zero gravity. Nail it by lying on the death–defying Bed of Nails. Conquer your fear of heights on our indoor Glow-In-The-Dark Ropes Course. WonderWorks is also home to Wonders of Magic, starring Terry Evanswood, the award-winning and longest running performer in Pigeon Forge. WonderWorks hosts birthday parties and special events seasonally. Open daily from 9 a.m. until midnight. wonderworksonline.com/pigeon-forge.