Latin GRAMMY Cultural Foundation Announces the Julio Iglesias Scholarship

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Julio Iglesias in tuxedo smiling clapping hands with joy

A Music Student with Financial Hardship Will Receive a Four-Year Scholarship, Worth up to $200,000 USD Toward a Bachelor’s Degree at Berklee College of Music in Boston

Deadline to Apply is April 10, 2020

MIAMI (DEC. 16, 2019)— The Latin GRAMMY Cultural Foundation® announced today that it is accepting applications for the Julio Iglesias Scholarship from music students admitted to Berklee College of Music who are interested in Latin music. The four-year Prodigy Scholarship, which holds a maximum value of $200,000 USD, was created five years ago in an effort to support music education and Latin music genres, and will be awarded to a student who is exceptionally gifted and needs financial assistance to complete a bachelor’s degree in music starting in the Fall 2020 semester.

Julio Iglesias is considered an enduring star on the world stage and the best-selling Latin artist of all time. Recipient of a GRAMMY®, 2001 Latin Recording Academy Person of the Year™ honor, and the Recording Academy® Lifetime Achievement Award in 2019, the singer/songwriter has recorded in multiple languages and sold more than 300 million records worldwide.

“I’m proud to offer a promising student the opportunity of a formal music education at one of the best schools in the world through the Latin GRAMMY Cultural Foundation,” said Iglesias. “Through this scholarship, I hope to expand my legacy helping to build the next generation of Latin music ambassadors.”

“We are pleased to announce our sixth annual Prodigy Scholarship in association with music legend Julio Iglesias,” said Manolo Díaz, Senior Vice President, Latin GRAMMY Cultural Foundation. “We are grateful for Julio’s support and commitment to inspire future generations of Latin artists to achieve greatness.”

Every year, the Foundation’s Scholarship Committee carefully evaluates applications from a highly competitive pool of aspiring musicians on a variety of skills and under rigorous policies. As of today, the Latin GRAMMY Cultural Foundation has allocated a remarkable $5 million USD in scholarships, grants, musical instrument donations, and educational events worldwide. Previous artists who have co-sponsored Prodigy Scholarships include Enrique Iglesias (2015), Juan Luis Guerra (2016), Miguel Bosé (2017), Carlos Vives (2018), and Emilio and Gloria Estefan (2019).

For application, guidelines, and for the latest news, please visit the official website of the Latin GRAMMY Cultural Foundation at www.latingrammyculturalfoundation.com. As part of the process, students must complete two audition videos, submit two letters of recommendation and answer two essay questions. The materials can be submitted in English, Spanish or Portuguese. The deadline to apply is April 10, 2020, by 11:59 p.m. EDT. After reviewing the guidelines that can be found on our website, submit any questions to LGCF@grammy.com.

ABOUT THE LATIN GRAMMY CULTURAL FOUNDATION:
The Latin GRAMMY Cultural Foundation was established by The Latin Recording Academy® to promote international awareness and appreciation of the significant contributions of Latin music and its makers to the world’s culture, and to protect its rich musical legacy and heritage. The Foundation’s primary charitable focus is to provide scholarships to students interested in Latin music, as well as grants to scholars and organizations worldwide for research and preservation of diverse Latin music genres. Take action in supporting our mission by donating today via our Facebook page. For additional information, please visit us at www.latingrammyculturalfoundation.com. For the latest news and exclusive content, follow us at @latingrammyfdn on Twitter and Instagram, and Latin GRAMMY Cultural Foundation on Facebook.

ABOUT BERKLEE COLLEGE OF MUSIC:
Berklee was founded on the revolutionary principle that the best way to prepare students for careers in music is through the study and practice of contemporary music. For 70 years, the college has evolved to reflect the current state of the music industry, leading the way with baccalaureate studies in performance, music business/management, songwriting, music therapy, film scoring, and more. In June 2016, the Boston Conservatory merged with Berklee, creating the world’s most comprehensive and dynamic training ground for music, dance, theater, and related professions. With a focus on global learning, the Berklee campus in Valencia, Spain, offers graduate programs and study abroad opportunity, while Berklee Online serves distance learners worldwide with extension classes and degree-granting programs. The Berklee City Music Network provides after-school programming for underserved teens in more than 40 locations throughout the U.S. and Canada. With a student body representing more than 100 countries, abundant international undergraduate and graduate student populations (33 and 53 percent respectively), and alumni and faculty who have won more than 360 GRAMMY and Latin GRAMMY Awards, Berklee is the world’s premier learning lab for the music of today—and tomorrow. Learn more at berklee.edu.

ABOUT JULIO IGLESIAS:
Julio Iglesias is the most celebrated artist in Spanish and Latin music history. Recipient of a GRAMMY, The Latin Recording Academy Person of the Year in 2001, and the Recording Academy™ Lifetime Achievement Award in 2019, Iglesias is the best-selling Latin artist of all time with more than 300 million records sold in 14 languages. Photo Credit: Jesús Carrero

Making Room with Marie Kondo

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Marie Kondo dressed in all white seated in front of a bright window with sparce livingroom furniture

By Sara Salam

Marie Kondo makes room for meaningful objects, people, and experiences.

Literally.

The organizational guru behind her #1 New York Times bestselling book, The Life-Changing Magic of Tidying Up, and the Netflix series Tidying Up with Marie Kondo, Kondo prescribes a simplified approach to organizing space.

The intention behind her decluttering philosophy is to “end up with a clutter-free home that is better able to bring more joy and prosperity into your life.”

Her emphasis on achieving serenity and inspiration sets her apart from other approaches to organizing space, rather than organizing for organizing-sake.

How She Got Started

Kondo began her tidying consultant business as a 19-year-old university student in Tokyo, where she wrote her capstone project about tidying. For a time, she was an assistant at a Shinto shrine.

By her mid-twenties, her consulting business had a waitlist. It was these prospective clients who encouraged her to write a book, which would become The Life-Changing Magic of Tidying Up.

In 2010, Kondo’s book proposal won first prize in a publishing training course called “How to write bestsellers that will be loved for ten years.” Tomohiro Takahashi, an editor at Tokyo self-help and business publisher called Sunmark, made the winning bid.

Coupled with savvy marketing and a TV spot tidying the space of a well-known comedian, Kondo propelled herself into the hearts and minds of what are now considered her “Konverts.”

Today, she is a globally renowned tidying expert. Her journey represents a story of female empowerment, that pursuit of your passion can lead you to remarkable places.

Why is Kondo so popular?

Kondo’s approach encourages moving away from things that do not serve us, things which ultimately induce stress, in favor of a simplified, serene way of living.

Stress By Mess

Kondo knows mess causes stress in people’s lives.

She also knows there are simple things we can do to exert control over our mess, especially in areas such as our living and work spaces.

For example, the physical characteristics of living and work spaces, including features like crowding, clutter, noise, and artificial light, have been shown to affect mood and health in populations ranging from young children to senior citizens, according to a study in Personality and Social Psychology Bulletin.

In the same study, researchers found women who described their homes as “cluttered” or full of “unfinished projects” were more depressed, fatigued, and had higher levels of the stress hormone cortisol than women who felt their homes were “restful” and “restorative.”

Kondo’s KonMari Method addresses these effects head on with her emphasis on tidying and simplifying space, to maximize its manga, or magic.

Her Method

Marie Kondo gives folding lesson to young woman while both seated on the floor
Otti Logan, 16, gets a folding lesson from zen tidiness guru Marie Kondo who comes to the U.S. for the first time and visits the Logan family for her TV show broadcast in Japan. (Photo by Joanne Rathe/The Boston Globe via Getty Images)

“The KonMari Method is the foundation of all my work,” Kondo says. “It teaches people that the act of tidying your home will help you identify your values and what sparks joy in you. When you’re equipped with this knowledge, you will begin to improve all aspects of your life.”

Kondo’s mindful approach to organization offers six basic rules of tidying:

  1. Commit yourself to tidying up.
  1. Imagine your ideal lifestyle. Kondo asks her clients, What does the beginning and end of your day look like? Having a clear image of your ideal life will help you stay motivated and you will begin to create the life you’ve longed for.
  1. Finish discarding first. Before getting rid of items, sincerely thank each item for serving its purpose.
  1. Tidy by category, not location.
  1. Follow the right order. Begin with clothes, followed by books, papers, komono (miscellaneous items), and, finally, sentimental items.
  1. Ask yourself if each item sparks joy. Thank them with gratitude for their service – then let them go.

Spark Joy

Kondo reiterates the definition of what “sparks joy” varies across individuals. The KonMari Method as a practice does not require living a minimalistic lifestyle.

In an interview with Man Repeller, Kondo addresses the concept of having a lot of stuff.

“It’s not a good or a bad thing, it just stems from a difference in sensitivities and value systems,” Kondo points out. “If you’re someone who owns a lot of things and doesn’t want to let anything go, I would suggest trying to organize your drawers by folding your clothing in the correct way – just once! – and see how you feel. You might be surprised to find that having an organized space actually sparks joy.

“The ultimate goal of tidying is to discover how you’d like to live in your home.

“Less stress, more joy.”

Optimizing Productivity

Kondo uses a zoom-out-zoom-in approach as it relates to optimizing productivity. First, and critically, she considers how she wants to spend her time, starting with years, then narrowing in on quarters, months, week, all the way down to daily routines. This approach lends itself to aligning how she spends her time with her priorities at any given point in her life.

“Currently, my goal is to work as efficiently as possible so I can spend more time with my children,” Kondo says. She shares five tips that help balance time between family and work:

  1. Start your morning with good energy – Kondo’s morning rituals include opening her windows to let fresh air in and burning incense.
  1. Make a daily to-do list – She includes everything on this list, including laundry and email correspondence.
  1. Coordinate with your partner – Sharing what each person undertakes helps you realize the number of tasks necessary to live comfortably together, and what kinds of tasks are best suited for each person, Kondo believes.
  1. Clear your mind – When she needs to reorganize her thoughts, Kondo writes down everything that’s on her mind using a blank sheet of paper. She identifies what she calls tangled feelings, and clarifies which issues she can and can’t control.
  1. Create a nighttime routine Kondo’s nighttime routine consists of spending time with her children, returning items to their designated home, thanking them for their work that day.
Socks and tights are seen arranged in a drawer in small boxes as recommended by Kondo
Socks and tights are seen arranged in a drawer in small boxes as recommended by Kondo. PHOTO BY SARA KAMOUNI / AFP VIA GETTY )

“For me,” Kondo says, “work-life balance is about being aware of what you’re currently working toward and communicating that with your loved ones.”

Kondo has two young children and is married to Takumi Kawahara, whom she met during his college years. They married in 2013. Together, they established KonMari Media, Inc. in 2015, of which Kawahara assumed the role of CEO. He led the global expansion of the business, including the distribution of books, media channels, and the KonMari Consultant program, which is active in over 30 countries. He’s also an executive producer of their Netflix show.

Kondo and Kawahara blend their personal and professional relationship in such a way that balance and happiness are at the center: their kids.

Even their kids participate in tidying.

On her website, Kondo explains using the KonMari Method to expose children early on to the concept of tidying. She suggests to narrate as you tidy, so that the children can learn from you as they’re taking part. Show the children that tidying and playing go together, than after you play, everything has a home to return to. Don’t forget to be mindful that space is finite, so be aware of new toys, diapers, etc.

Applying the KonMari Method

The KonMari Method can be applied to many aspects of life, such as your finances, your career, and your mind.

The common theme? Imagining what you want your life to look like, making a plan, prioritizing, and forgoing anything that doesn’t spark joy.

Finances

“After tidying, my clients are more mindful about what they purchase, and they avoid buying in excess,” Kondo said in a special with NBC News. “I do believe it is important to use this self-awareness to guide your spending habits and let go of any tendencies or habits that are hindering you from meeting your financial goals (and your ideal lifestyle, overall).”

Marie Kondo and Co-founder and CEO of KonMari Media, Inc Takumi Kawahara speak on stage at Cannes
Marie Kondo and Co-founder and CEO of KonMari Media, Inc Takumi Kawahara speak on stage in Cannes, France. (Photo by Richard Bord/Getty Images for Cannes Lions)

Career

In a piece with Her Money, the KonMari Method is applied to streamlining your career trajectory. Some tips include being mindful of taking off-time from your devices, learning to say no to projects or tasks that add stress, making to-do lists, and finally, finding a way of doing more of what brings you joy at work, and off-loading or delegating the things that aren’t consistent with your career goals.

Mind

Kondo sat down for a conversation with best-selling author of Eat Pray Love and Big Magic Liz Gilbert about tidying the mind. Kondo asked Gilbert to share any advice she has for people who want to come to terms with difficult realizations related to living a life you don’t want for yourself.

“You can’t do work on yourself and not do work on the space you live,” Gilbert said. “And you can’t do work on the space you live and not do work on yourself. So, if you’re too afraid to look into the scary attic in your mind, look into the scary attic in your home. It will be a portal, a doorway, that will take you into the parts of yourself that you’ve been afraid to look at.”

Gilbert believes your home is a portrait of yourself; it needs to be treated accordingly.

the life-changing magic of tidying up book cover
New York Times Best Seller List – The Life-Changing Magic of Tidying Up

Kondo’s “Konverts”

Kondo has garnered over three million followers on Instagram, where she shares “tidy hacks” that help optimize the use of space. One such hack: emptying your dishwasher before guests arrive, so clean-up following their departure is more efficient.

She has nearly 400,000 subscribers to her YouTube channel. Her Netflix show Tidying Up with Marie Kondo was viewed over one million times within two weeks of its launch in January 2019. She also has a free app her fans can utilize.

Kondo recently launched The Shop at KonMari, which includes products ranging from décor and living, tidying and organization, tabletop and entertaining, cooking and kitchen, bath essentials, aromatherapy, and books.

In response to her rise in popularity, Kondo’s company employs over 200 consultants – all certified in the KonMari Method – to meet the demands of clients who seek her organizational expertise. She herself is no longer available for hire due to her commitments running the business.

Fundamentals

Ultimately, Kondo believes expressions of gratitude will lead to a joy-filled life.

“I think you should always be honing your sensitivity to joy and letting go with gratitude of anything that doesn’t contribute to your happiness.

Sorry, caffeine won’t make you more creative, but it may help you solve problems

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smart afro american girl entrepreneur use computer, work training company career development seminar sit table hold takeout mug coffee in office

Famous authors and artists are commonly photographed alongside a trusty mug of coffee, but that cup of joe is more likely to help the Great American Manager. Caffeine, it turns out, does not improve creativity, but it significantly enhances problem-solving, according to a new study.

This is news, given how strongly we associate coffee with creative occupations and lifestyles. The study, published today in Consciousness and Cognition, followed 80 participants after they consumed either a placebo or 200 mg of caffeine—the equivalent of 12 ounces of coffee—and then tracked their problem-solving, creative idea generation, working memory, and mood. While problem-solving abilities improved significantly, the caffeine had no effect on memory or creativity. Subjects also reported feeling “less sad.”

Previous studies have shown that caffeine improves alertness, focus, attention, and motor skills, but little research existed on creativity.

This means that caffeine helps some kinds of thinking, specifically convergent thinking, such as when you need correct answers, for instance, while taking a GRE or MCAT or recalibrating a budget.

Continue on to Fast Company to read the complete article.

Men Design ‘Leather’ Material Out of Cactus—and It Could Replace the Need for Animals in Fashion Industry

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two men fashion designers looking at differnt fabric

Two men have succeeded in developing an alternative to animal leather made out of Mexican cactus—and it could save millions of animals worldwide.

Adrián López Velarde and Marte Cázarez are responsible for creating their vegan fabric out of the nopal cactus. Although it took them two years of research and development to design the fabric, they perfected its manufacturing process in July and debuted it to the fashion world in Milan, Italy back in October 2019.

The entrepreneurs realized the environmental impact of animal leather after they both spent years working in the furniture, automotive, and fashion industries. Upon quitting their jobs, they co-founded Adriano Di Marti to design their innovative leather replacement.

Their patented “Desserto” fabric is made out of cactus leaves that are harvested sustainably every 6 to 8 months. The material is designed to breathe easily while still being durable and partially biodegradable.

In addition to the cactus-based material also requiring a minimal amount of water to develop, it is grown organically in the state of Zacatecas.

The material, which has been made available in a variety of colors using natural dyes, has now been used to make everything from bags and automotive seating to shoes and jackets.

WATCH THE VIDEO:

Continue on to the Good News Network to read the complete article.

Cecily Myart-Cruz becomes 1st woman of color to lead L.A. teachers union

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Cecily Myart-Cruz speaks into Microphone at podium during rally

The L.A. teachers union has elected the first woman of color, Cecily Myart-Cruz, to lead the organization, part of a familiar and experienced team that will include outgoing union President Alex Caputo-Pearl, who was elected as a vice president.

“I’m proud of the way we have worked with members to create a union that is inclusive, that is a fighting union, that cares not only about educators, but about parents, the community and students,” said Myart-Cruz, 46, who as union president assumes a role of influence and power in the Los Angeles Unified School District, the second-largest in the nation.

Myart-Cruz received nearly 69% of the vote to represent some 31,000 Los Angeles teachers, school nurses, counselors and librarians. The next closest was Marisa Crabtree, with nearly 11% of the vote in the five-candidate field. Crabtree had proposed to turn the union more toward classroom and teaching issues, while deemphasizing politics.

But Myart-Cruz said she sees the fight for political influence as essential to improving teaching and classroom learning conditions.

A little over a year ago, United Teachers Los Angeles went on strike for six days, bringing a focus to overcrowded classrooms and staffing shortages. While Caputo-Pearl headed that effort, Myart-Cruz was a key advisor. Caputo-Pearl is barred by term limits from seeking a third three-year term.

“The work is not done. Our educators need the resources and our babies need the resources as well,” Myart-Cruz said.

“By almost any measure, Caputo Pearl has been a strong and effective leader,” said Charles Kerchner, professor emeritus of the Claremont Graduate University School of Educational Studies. “The plan to swap offices with Cecily Myart-Cruz would essentially keep the leadership regime in place. That creates stability in ideas and agenda.”

All the same, Myart-Cruz emphasized that she will be fully in charge when she takes office in July.

The momentum from last year’s strike carried over into the May election of Jackie Goldberg, a union-backed candidate, to the school board. But soon after, L.A. voters defeated Measure EE, a parcel tax that would have increased local resources for schools.

The union is currently engaged in a high-stakes, big-money battle with supporters of charter schools for three contested seats on the seven-member Board of Education. If even one union-endorsed candidate loses, the direction of the board could shift away from some union priorities. These include limiting the expansion and spread of nonunion, privately managed charter schools and pushing for higher pay and increased school staffing.

Myart-Cruz, a district parent and single mother who identifies as biracial, black and Latina, has 25 years of teaching experience in elementary and middle schools. She has long been part of the union’s activist wing and helped lead a campaign to remove principals whom the union felt treated teachers unfairly.

As a regional chair she also helped organize a yearlong boycott against some standardized testing to take on what the union described as the “overtesting” of students. Union leaders argued that students took too many standardized tests and wanted the number reduced because they take away from learning time.

The new president also has been active at the state and national level in teachers unions.

The election turnout was low, but that’s been a consistent recent pattern in union internal elections. Close to 5,300 union members cast ballots out of about 31,000 eligible voters.

Continue on to the LA Times to read the complete article.

Why Paul Williams, Hollywood’s most prolific black architect, drew upside down

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Paul Revere Williams is seated at his desk holding up a design sketch

By Evan Nicole Brown

Los Angeles’s architectural landscape, much like its population, is a vibrant blend of different colors, shapes, and influences. The diversity of styles—from Googie to Spanish Colonial Revival—reflects the myriad cultures and languages that punctuate the city’s streets. But the people of color who developed the city have largely been left out of its urbanist history.

During old Hollywood’s heyday at the turn of the 20th century, the celebrity elite famously lived in neighborhoods like Beverly Hills, Hancock Park, and the hills of Bel Air. What is less well-known is that many of these dazzling estates were designed by Paul Revere Williams, the first black architect certified to work on the West Coast.

A new documentary from PBS, Hollywood’s Architect: The Paul R. Williams Story, chronicles the design work of a man who desegregated California’s architecture industry.

Williams was known for designing homes for the silver screen’s biggest stars, such as Frank Sinatra and Lucille Ball. The hourlong documentary, written, directed, and produced by Royal Kennedy Rodgers and Kathy McCampbell Vance, features several of the architect’s private properties peppered around greater Los Angeles. “He tapped into the desire of his clients to live lavishly and elegantly, in a way they never had,” says Vance. “His strength was that he designed for the client, [whereas] some architects have a design style and the clients adapt.” Known for a suave personal style and natural eloquence, Williams convinced clients that he was capable of designing a residence fit for their uniquely luxurious lifestyle—beyond the obvious talent he possessed, which many tried to ignore because of his race.

“He was known for combining styles, and on paper it sounds like kind of a mismatch,” says Rodgers. A designer showcase house [we feature in the documentary] was Tudor Revival on the outside and then there’s a Baroque landing and a staircase with some Spanish influence . . . on paper it sounds like it could be a disaster, but it’s not. He brought all styles together and made it work.” Williams was also celebrated for his ability to cater his designs to the immediate environment; one such example, a Brentwood home that was saved from demolition in 2013 by Disney CEO Bob Iger, is built around a prominent tree, thus melding the indoors with the outdoors. “Some architects might’ve cut down that tree because you could build a bigger house, but he kept the tree [and made the house] fit the site,” Vance says.

Williams’s mark is seen on commercial buildings throughout Los Angeles’s grid of sun-soaked streets, too. The iconic script of the Beverly Hills Hotel sign is written in Williams’s hand. He also collaborated on the eye-catching Space Age design of LAX’s Theme Building. “One of the things that he set out to do was to make sure that when you were at work, you felt at home,” Vance explains. “So if you look at the Music Corporation of America headquarters and Saks Fifth Avenue [on Wilshire Boulevard] . . . they’re made to be comfortable and lived in so you don’t feel like you’re toiling away—you feel relaxed in the beautiful environment. They look like living rooms in homes.”

Hollywood has long held the reputation of a community filled with liberal creatives—many of them American immigrants and California transplants. But Williams’s ability to cultivate personal and professional relationships with Hollywood’s wealthy, white community was not without injury.

“Everything he did was to make the client feel comfortable,” Vance says. “That’s where the upside-down technique came from.” Sadly, and impressively, Williams developed a style of drawing his design sketches in an inverted fashion, because it allowed him to sit across from his white clients, knowing they’d prefer to not sit next to him. This subtle yet violent adjustment speaks to the flattening many black creators feel forced to perform on themselves to take up less space, even while having a seat at the table, doing work they’ve been sought out to do.

Williams’s career as one of Los Angeles’s preeminent architects spanned decades; he opened his own practice and became the first black member of the American Institute of Architects (AIA) in 1923, and retired in 1973. In this time, he designed close to 3,000 buildings, but his sheer prolificness was eclipsed only by his stunning ability to design spaces in neighborhoods that redlining kept him out of. (Williams did, however, design several structures in L.A.’s black community as well, namely the 28th Street YMCA in South Central and Broadway Federal Bank in Mid-City.)

The documentary rightly credits Williams’s granddaughter, Karen Hudson, with keeping his legacy alive after his death in 1980: “When he retired, his reputation retired with him,” Vance says. “I don’t know that there was a movement to make him known, and that’s where Karen comes in.” Hudson conducted much of the research the film relies on, including hiring photographers to document her grandfather’s creations and building an exhaustive list of all the properties he built.

Continue on to Fast Company to read the complete article.

Adelfa Callejo sculpture, Dallas’ first of a Latina, expected to land downtown in Main Street Garden park

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bronze statue of Adelfa Callejo

The bronze statue of Adelfa Callejo, a staunch civil rights advocate believed to be the first practicing Latina lawyer in Dallas, will soon land in a downtown park — right next to the University of North Texas Dallas College of Law and the municipal court building.

A Dallas City Council committee on Tuesday accepted the $100,000 sculpture as a donation with plans to place it in Main Street Garden. It would be Dallas’ first sculpture of a Latina, according to city staffers.

Dallas city officials and the Botello-Callejo Foundation Board agreed to the new location after Mayor Pro Tem Adam Medrano quietly delayed the plan to place it in the lobby of the Dallas Love Field Airport, which is in his district. Medrano didn’t respond to requests for comment Tuesday.

The Dallas City Council is expected to approve the donation at its Feb. 12 meeting. The board wanted to tie the sculpture’s public unveiling to the six-year anniversary of Callejo’s death, which was in January 2014, after a battle with brain cancer.

The foundation’s board commissioned the roughly 1,000-pound piece by Mexican artist Germán Michel shortly after she died. It is currently being stored in a Dallas warehouse.

Callejo’s nephew J.D. Gonzales said he was thrilled the sculpture will be downtown near the university, where it’ll be visible to students and attest to her trailblazing in education and law.

“I hope that what Adelfa stood for, and what she did and what she accomplished lives on forever,” Gonzales said.

Monica Lira Bravo, chairwoman of the Botello-Callejo Foundation Board, said she met with Medrano and Council member Omar Narvaez last month to discuss where to place the sculpture.

Lira Bravo said she suggested Main Street Garden Park as an alternative after the two council members expressed concerns over the Dallas Love Field Airport option.

Continue on to the Dallas Morning News to read the complete article.

The Global Search for Education: Global Create-a-thon Makes the “A” in STEAM as Important as Every Other Letter

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A group of sudents pose at the Global Create-a-thon

Creative problem solving is as important as STEM, and a day-long hack-a-thon based in California is putting the focus on creativity instead of coding.

A developer in today’s world needs more than engineering, math and tech skills. The process of creating product is also about design-thinking, creativity and communication competencies.

While attending an Adobe Education Leader summit, educator Lisa Gottfried came up with the idea of producing the first-ever Create-a-thon to showcase student creative work.  With sponsorship from Adobe, she was able to launch her initiative, a day-long design challenge workshop in which the best creative work was ultimately presented at the Napa Lighted Art Festival. Students were given an entire day to explore, create, make and share their works of art with international artists in the festival. Gottfried is now in the process of expanding the program.

Lisa Gottfried is recognized internationally for innovation in education. She is an Adobe Education Leader and teaches Digital Design at New Technology High School. She is also an adjunct professor for Touro University, California in the Innovative Education Master’s program.

The Global Search for Education welcomes the Founder of Global Create- a-thon, Lisa Gottfried.

Lisa, what makes Global Create-a-thon unique to other programs like it?

This project is completely student created and student-run. All important decisions are made by the leadership team or the entire class. I, as a teacher, do not own the project as much as I collaborate with the students throughout the program. I and their mentors help the student leaders to navigate the entire project.  This means that the rigor for this project goes up tenfold. Students really own the success of the project and own their own learning in a way they have not experienced with other projects.

Also, where else can students get the chance to have their artwork seen by over 20,000 visitors on a 70-foot-long wall?  It’s one thing to make artwork for your teacher, but when the stakes have been raised this high and the risk is this big, the payoff in student buy-in is palpable.

We’ve made a big effort to make creating artwork as accessible as possible to all students, no matter their skills in art or their skills in digital design.  This project can be done with paper and pencil, or with computers and advanced Adobe software skills, which makes it an exciting way to collaborate with students from around the world, regardless of their access to technology or their technical skills.

What have been the biggest challenges you’ve faced getting schools to participate in your program?

We have had so many educators express interest in participating in our project with their students that recruitment has not been an issue. The challenge has been in getting all our ducks in a row so that we have the right supportive tutorials and clear directions for how to turn work in.  Establishing systems for receiving the work so that we are ready to curate a show has meant that students in charge of the event have had to really think through all the ramifications for every systems decision they make. Our long-term vision for the future is that our show tours different lighted art festivals in major cities around the world.

Continue on to CM Rubin World to read the complete article.

Designing a Safer Football Helmet

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image showing the new design of a football helmet

Private company VICIS and its academic partner, the University of Washington, have created a football helmet that aims to make playing the sport safer.

Designed with a soft shell that acts like a car bumper and vertical struts inside the helmet that bend and buckle, this product seeks to mitigate the forces that lead to concussions and brain injuries.

The innovative project is one of three final winners in Head Health Challenge II, which was part of the Head Health Initiative, a four-year, $60 million collaboration between the NFL, GE and Under Armour to accelerate diagnosis and improve treatment for traumatic brain injury.

The project has received two grants totaling $750,000 for continued research and development.  “Current helmets were designed against skull fracture, they were modeled primarily after motorcycle helmets,” says Dave Marver who is CEO and co-founder of VICIS.

The company started the project as a collaboration with the University of Washington to develop what they called the Zero1 Helmet.

Marver says current versions of football helmets “are not optimized to prevent or mitigate traumatic brain injury or concussion.” He says: “They don’t slow acceleration, which is the force that’s thought to cause concussion.”

The Zero1 helmet has passed the National Operating Committee on Standards for Athletic Equipment tests, which means it can be used on NFL fields. “The Zero1 helmet is designed to address not just linear forces acting upon football players’ heads but also angular and rotational acceleration,” Marver says. “The idea is pretty simple and rooted in physics. If force is the product of mass and acceleration and you can’t change the mass of a football player (football players can deliver up to one ton of force), a helmet must address acceleration if it’s going to impact force.”

Product Features/Technology

  • LODE Shell – Deformable Outer Shell

o Absorbs impact load by locally deforming, like a car bumper. Automotive safety engineers

have used local deformation to protect people for decades.

  • RFLX Layer – A Columnar Structure That Mitigates Impact Forces

o A highly-engineered columnar structure that moves omni-directionally to reduce linear and

rotational forces. This proprietary layer of columns bends and buckles upon impact, making

it effective against both linear and rotational forces. The columnar geometry used in the

RFLX layer is based on principles first described by 18th century Swiss physicist, Leonhard

Euler.

  • Field of View – Industry Leading Field of View

o The VICIS ZERO1 provides a wider field of view than traditional helmets. In laboratory

testing, the ZERO1 was shown to offer players a 212-degree field of view, nearly the

maximum of human peripheral vision (220 degrees). This is nearly 5 degrees more than the

next best traditional helmet and 13 degrees more than another popular traditional helmet.

  • AXIS Fit System® – Custom Fit, Superior Comfort

o One of VICIS’ founders is a neurosurgeon and some of the world’s preeminent neurosurgeons

serve on the company’s scientific advisory board. We incorporated feedback from these neurosurgeons and scores of elite football equipment managers to develop the VICIS AXIS Fit System®, which incorporates head length and width measurements to determine a player’s optimal helmet size.

Source: VICIS

Kareem Abdul-Jabbar Gives Kids a Shot That Can’t be Blocked

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Kareem Abdul-Jabbar on a stage dressed in a suit smiling

By Brady Rhoades

Kareem Abdul-Jabbar — NBA Hall of Famer, best-selling author, renowned columnist, historian, philanthropist— is laser-focused on underprivileged kids.

The key to empowering them?

Education.

Through his Skyhook Foundation and Camp Skyhook, he’s on a mission to give inner city kids a “shot that can’t be blocked” at careers in STEM (science, technology, engineering, and math; many educators have added arts to the concept and use the acronym STEAM).

“The feedback from the kids is always a highlight for me,” he said, in an interview with STEAM Magazine. “They are enthusiastic, grateful, and excited about the experience. Horace Mann once said that ‘a house without books is like a room without windows.’ Before attending Camp Skyhook, many of our students couldn’t see themselves pursuing a STEM-related career. We’re building windows so they can see more possibilities for their future.

“Our students often come from economically disadvantaged neighborhoods,” Abdul-Jabbar continued. “They’re used to running the race of life with weights attached to them. Their shot at equal opportunities — whether in education, jobs, health care, etc. — is blocked by systemic social inequalities. We try to create a path where their shot at life can’t be blocked because of those disadvantages. We’re trying to even the playing field.”

Abdul-Jabbar is so committed to this venture that he’s sold personal memorabilia, such as championship rings and MVP plaques, in order to raise $2.8 million – a portion of which was donated to Camp Skyhook.

“Looking back on what I have done with my life, instead of gazing at the sparkle of jewels or gold plating celebrating something I did a long time ago, I’d rather look into the delighted face of a child holding their first caterpillar and think about what I might be doing for their future,” he said. “That’s a history that has no price.”

Kareem out in community visiting with a young boy in the library
Kareem Abdul-Jabbar out in community visiting with a young boy in the library

So what exactly are the Skyhook Foundation and Camp Skyhook?

The Los Angeles non-profit helps public school students in the city access a free, fun, weeklong STEM education camp in the Angeles National Forest. Every week throughout the year, in cooperation with the Los Angeles Unified School District, groups of fourth and fifth graders attend Camp Skyhook at the Clear Creek Outdoor Education Center. The hands-on science curriculum encourages students to study nature up close. They also get to hike, swim and sing songs around campfires.

Currently, there’s a six-year waiting list for students to get into the camp.

“I’m happy we’re doing what we are, but I’m frustrated because we want to do even more,” said the six-time NBA champion and six-time MVP. “This program gives students STEM-based activities in an environment they rarely experience: the natural world. It also inspires their curiosity and sense of wonder.”

Abdul-Jabbar said it’s paramount to increase opportunities in STEM, especially for minorities.

“African-American men make up only 3 percent of science and engineering occupations versus 49 percent white men,” he said. “Black women have only 2 percent versus 18 percent for white women. Part of the reason is that a STEM education doesn’t seem like a real possibility to many minority children educated in inferior schools. We can turn that around. We have to turn it around.”

One of the iconic photos in UCLA basketball history taken by Norm Levin: Lew Alcindor, the 7-foot-2 big man who would one day wind up as NBA superstar Kareem Abdul-Jabbar, getting all of the ball for a blocked shot against the University of Minnesota on Dec. 27, 1967
One of the iconic photos in UCLA basketball history taken by Norm Levin: Lew Alcindor, the 7-foot-2 big man who would one day wind up as NBA superstar Kareem Abdul-Jabbar, getting all of the ball for a blocked shot against the University of Minnesota on Dec. 27, 1967.

A native of Harlem, Abdul-Jabbar was a three-time NCAA champion and three-time Player of the Year at UCLA, where he played under legendary coach John Wooden.

He played 20 seasons in the NBA for the Milwaukee Bucks and the Los Angeles Lakers. During his career as a center, Abdul-Jabbar was a record 19-time NBA All-Star.

For Lakers fans, he is, perhaps, most beloved for his dominating performance in the 1985 finals against the Boston Celtics. The Lakers broke a decades-long losing streak to the Celtics and Abdul-Jabbar was named finals MVP.

He was inducted into the Hall of Fame in 1995 and named one of the 50 greatest players in league history in 1996. A statue showing him wielding the greatest weapon in basketball annals – the skyhook – was unveiled outside of Staples Center in 2012.

Since his stellar professional career, he has gone on to become a celebrated New York Times-bestselling author, a filmmaker, and a columnist for The Guardian and the Hollywood Reporter. He writes insightful and in-depth columns about pop culture and social justice.

His curiosity is nothing less than feral.

Did you know he’s huge fan of Sherlock Holmes, and his latest writing project — co-authored by Anna Waterhouse — is a mystery novel? It’s called Mycroft and Sherlock, The Empty Birdcage.

On top of all that, President Barack Obama awarded him the Medal

Kareem Abdul-Jabbar receives the Presidential Medal of Freedom from former President Barack Obama.
Kareem Abdul-Jabbar receives the Presidential Medal of Freedom from former President Barack Obama.

of Freedom in 2016.

“I can do more than stuff a ball through a hoop,” he said. “My mind is my greatest asset.”

The same can be said of the children he’s helping, even if they don’t know it yet.

The Skyhook Foundation — the website for information and donations at https://skyhookfoundation.org/ — is demonstrably effective. Did you think for a second Abdul-Jabbar wouldn’t track the results?

“We know it’s effective because our follow-up research shows that students have increased interest in science, engineering and the environment,” he said. “In practical terms, it means they take more science classes and feel more confident in the classroom asking and answering questions. Former participants who are now adults tell us this was their most memorable elementary school experience.”

It’s widely agreed-upon that Abdul-Jabbar’s skyhook was unstoppable—virtually unblockable. He shot thousands upon thousands of them, and tallied 38,387 points in his career. He is the greatest scorer in the history of professional basketball. Nobody’s ever re-created that magnificent hook shot.

Abdul-Jabbar’s message to kids: Develop a shot that can’t be blocked.

The game of life is played on a surface supremely larger than the 94-x-50-foot chunk of wood hoops players play on.

The winning play? Give yourself a shot to be an all-star in science, technology, engineering, arts, and math.

11-year-old ballerina dances into history as 1st black lead in NYC Ballet’s ‘The Nutcracker’

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Charlotte Nebres smiling holding a large Nutcracker

Four years ago, Misty Copeland became the first African American woman to be promoted to principal dancer in the American Ballet Theatre’s 75-year history. Now, an 11-year-old girl is also breaking barriers as the star of the New York City Ballet’s holiday production of George Balanchine’s “The Nutcracker.”

In a story first reported by The New York Times, Charlotte Nebres, a student at the School of American Ballet, danced her way into ballet history as New York City Ballet’s first black Marie, the young heroine of a show that dates back to 1954.

The annual production also includes a diverse cast of other young leads this season, including Tanner Quirk, Marie’s Prince in the ballet, who is half-Chinese; Sophia Thomopoulos, the ballet’s second casting of Marie, who is half-Korean and half-Greek; and Kai Misra-Stone, Sophia’s Prince, who is half-South Asian.

“It’s pretty amazing to be not only representing S.A.B., but also representing all of our cultures,” Nebres told “The New York Times.” “There might be a little boy or girl in the audience seeing that and saying, ‘Hey, I can do that too.'”

Charlotte, who was just 6 years old when Copeland became the first female African American principal at American Ballet Theater, recalled being inspired when she saw Copeland perform for the first time.

“I saw her perform and she was just so inspiring and so beautiful,” she told The New York Times. “When I saw someone who looked like me on stage, I thought, ‘That’s amazing.’ She was representing me and all the people like me.”

Charlotte Nebres in Ballet outfit holding on to ballet bar with her coachCharlotte, whose mother’s family is from Trinidad while her father’s side of the family is from the Philippines, is becoming a trailblazer herself with the role of Marie.

For Charlotte’s mother, Danielle Nebres, the experience for her daughter is a meaningful one, because she was also a dancer growing up.

Nebres, who described Charlotte as quiet and artistic, said, “You don’t know what people are seeing in your child, and they are definitely seeing something in her.”

Although Charlotte is making waves being cast as Marie, the 11-year-old is just enjoying the moment and doing what she loves most: dancing.

Continue on to ABC News to read the complete article.