The bronze statue of Adelfa Callejo, a staunch civil rights advocate believed to be the first practicing Latina lawyer in Dallas, will soon land in a downtown park — right next to the University of North Texas Dallas College of Law and the municipal court building.
A Dallas City Council committee on Tuesday accepted the $100,000 sculpture as a donation with plans to place it in Main Street Garden. It would be Dallas’ first sculpture of a Latina, according to city staffers.
Dallas city officials and the Botello-Callejo Foundation Board agreed to the new location after Mayor Pro Tem Adam Medrano quietly delayed the plan to place it in the lobby of the Dallas Love Field Airport, which is in his district. Medrano didn’t respond to requests for comment Tuesday.
The Dallas City Council is expected to approve the donation at its Feb. 12 meeting. The board wanted to tie the sculpture’s public unveiling to the six-year anniversary of Callejo’s death, which was in January 2014, after a battle with brain cancer.
The foundation’s board commissioned the roughly 1,000-pound piece by Mexican artist Germán Michel shortly after she died. It is currently being stored in a Dallas warehouse.
Callejo’s nephew J.D. Gonzales said he was thrilled the sculpture will be downtown near the university, where it’ll be visible to students and attest to her trailblazing in education and law.
“I hope that what Adelfa stood for, and what she did and what she accomplished lives on forever,” Gonzales said.
Monica Lira Bravo, chairwoman of the Botello-Callejo Foundation Board, said she met with Medrano and Council member Omar Narvaez last month to discuss where to place the sculpture.
Lira Bravo said she suggested Main Street Garden Park as an alternative after the two council members expressed concerns over the Dallas Love Field Airport option.
In the era of Social media, our privacy and online safety becomes increasingly important. We’re sharing our lives online; however, we should also know how much is too muchand how to save our private data from unwanted intrusion.
The point is, our private information is valuable to cybercriminals who use it to deprive us of our hard-earned money and even ruin our reputation by stealing our identity. Leaving our data “up for grabs” means we might have a difficult time applying for a home loan or even get a passport.
With this being said, it’s essential to know what kinds of dangers lurk around, being able to recognize it and protect ourselves from cyber-attacks.
That’s why we decided to explain thoroughly what is malware, what types of it exist, and how to ensure our data, privacy, and devices are safe.
What is Malware, and why is it so important?
“Malware” refers to malicious software, used to describe any software (or code for that matter) made to inflict damage on mobile and desktop devices by exploiting those devices or data they carry, without the consent of their owners. Malware is usually made to achieve some financial gain – whether it’s about seeking victim’s financial data, holding a computer for ransom, or taking it over in order to rent it out for malicious purposes to others. Without exception, every type of Malware involves some form of payment to the cybercriminal.
There are plenty of ways we can “adopt” Malware on our computers or mobile devices. Some of them include opening the attachment of the “infected” person, clicking on the link which automatically downloads a virus, or even clicking on an ad banner on a website.
He loves me; he loves me NOT.
It’s hard to talk about Malware without mentioning the ILOVEYOU virus, which caused immense damage in 2009. Considered as the most destructive virus of all time, the ILOVEYOU virus used to rename all files in the affected device with “Iloveyou” until the system crashed. Fast-forward to the present day; there’s an increased number of hackers using destructive Malware (Between 2017 and 2018, there was a total increase of 25 percent only) for malicious acts.
Is there a reason to be afraid?
For the ones wondering if they should be afraid of Malware, the answer is a loud: YES! Technology advanced so much that we’re basically carrying small computers in our pockets – in fact, more and more cyber attacks are connected to mobile devices. What’s more, it’s so easy to lose all our important data: text messages, apps we download and failing to update our OS is all the ways we become prone to cyber-attacks. It’s scary and devastating to know someone could ruin our reputation and finances with one single click.
Knowledge is the key.
Now when we have a clear picture of what Malware is, we should get familiar with different types of it. Then, armed with knowledge, we will be able to protect ourselves and our data from malicious cyber intruders. There are six types of malware: spyware, adware, scareware, ransomware, worms, and trojans. Now, we’re going to go through them and offer you a complete overview.
Spyware is not here to harm our computers but follow our every move instead. It attaches itself to executable files and once it is downloaded it completely takes over the control. It can track anything from passwords to financial data.
Adware presents itself in a form of pop-ads or unclosable windows. Luckily, adware doesn’t steal our data, but it tries to make us click on fraudulent ads. Furthermore, it can slow down our computer severely by taking our bandwidth.
Scareware looks and feels like adware, but its main goal is to make us buy software we don’t need by scaring us. Usually, scareware ads tell us our computer has a virus and we need to buy software to get rid of it.
Ransomware resembles hacker moves we’re used to seeing in the movies. Once is on our computer it encrypts our files and holds our information hostage until we pay them a fee to decrypt it.
Worms resemble viruses, however, they don’t need human intervention to get transmitted to another computer. Instead, they use security flaws to do it.
Trojans are designed to allow hackers to take over our computers. Usually, they are downloaded from rogue websites.
We should learn how to protect ourselves.
Now when we know what are the types of malware out there, we will know how to recognize it and protect our precious data and valuable info from cybercriminals. To avoid malware, we should make sure we’re not downloading and running any program from popup windows. Furthermore, we should check our OS is updated and be careful not to open any email attachments from unknown people. Other ways include avoiding the use of public WiFi networks, sharing data while connected on public WiFi and avoid opening emails and attachments from untrusted sources.
Creative problem solving is as important as STEM, and a day-long hack-a-thon based in California is putting the focus on creativity instead of coding.
A developer in today’s world needs more than engineering, math and tech skills. The process of creating product is also about design-thinking, creativity and communication competencies.
While attending an Adobe Education Leader summit, educator Lisa Gottfried came up with the idea of producing the first-ever Create-a-thon to showcase student creative work. With sponsorship from Adobe, she was able to launch her initiative, a day-long design challenge workshop in which the best creative work was ultimately presented at the Napa Lighted Art Festival. Students were given an entire day to explore, create, make and share their works of art with international artists in the festival. Gottfried is now in the process of expanding the program.
Lisa Gottfried is recognized internationally for innovation in education. She is an Adobe Education Leader and teaches Digital Design at New Technology High School. She is also an adjunct professor for Touro University, California in the Innovative Education Master’s program.
The Global Search for Education welcomes the Founder of Global Create- a-thon, Lisa Gottfried.
Lisa, what makes Global Create-a-thon unique to other programs like it?
This project is completely student created and student-run. All important decisions are made by the leadership team or the entire class. I, as a teacher, do not own the project as much as I collaborate with the students throughout the program. I and their mentors help the student leaders to navigate the entire project. This means that the rigor for this project goes up tenfold. Students really own the success of the project and own their own learning in a way they have not experienced with other projects.
Also, where else can students get the chance to have their artwork seen by over 20,000 visitors on a 70-foot-long wall? It’s one thing to make artwork for your teacher, but when the stakes have been raised this high and the risk is this big, the payoff in student buy-in is palpable.
We’ve made a big effort to make creating artwork as accessible as possible to all students, no matter their skills in art or their skills in digital design. This project can be done with paper and pencil, or with computers and advanced Adobe software skills, which makes it an exciting way to collaborate with students from around the world, regardless of their access to technology or their technical skills.
What have been the biggest challenges you’ve faced getting schools to participate in your program?
We have had so many educators express interest in participating in our project with their students that recruitment has not been an issue. The challenge has been in getting all our ducks in a row so that we have the right supportive tutorials and clear directions for how to turn work in. Establishing systems for receiving the work so that we are ready to curate a show has meant that students in charge of the event have had to really think through all the ramifications for every systems decision they make. Our long-term vision for the future is that our show tours different lighted art festivals in major cities around the world.
Private company VICIS and its academic partner, the University of Washington, have created a football helmet that aims to make playing the sport safer.
Designed with a soft shell that acts like a car bumper and vertical struts inside the helmet that bend and buckle, this product seeks to mitigate the forces that lead to concussions and brain injuries.
The innovative project is one of three final winners in Head Health Challenge II, which was part of the Head Health Initiative, a four-year, $60 million collaboration between the NFL, GE and Under Armour to accelerate diagnosis and improve treatment for traumatic brain injury.
The project has received two grants totaling $750,000 for continued research and development. “Current helmets were designed against skull fracture, they were modeled primarily after motorcycle helmets,” says Dave Marver who is CEO and co-founder of VICIS.
The company started the project as a collaboration with the University of Washington to develop what they called the Zero1 Helmet.
Marver says current versions of football helmets “are not optimized to prevent or mitigate traumatic brain injury or concussion.” He says: “They don’t slow acceleration, which is the force that’s thought to cause concussion.”
The Zero1 helmet has passed the National Operating Committee on Standards for Athletic Equipment tests, which means it can be used on NFL fields. “The Zero1 helmet is designed to address not just linear forces acting upon football players’ heads but also angular and rotational acceleration,” Marver says. “The idea is pretty simple and rooted in physics. If force is the product of mass and acceleration and you can’t change the mass of a football player (football players can deliver up to one ton of force), a helmet must address acceleration if it’s going to impact force.”
LODE Shell – Deformable Outer Shell
o Absorbs impact load by locally deforming, like a car bumper. Automotive safety engineers
have used local deformation to protect people for decades.
RFLX Layer – A Columnar Structure That Mitigates Impact Forces
o A highly-engineered columnar structure that moves omni-directionally to reduce linear and
rotational forces. This proprietary layer of columns bends and buckles upon impact, making
it effective against both linear and rotational forces. The columnar geometry used in the
RFLX layer is based on principles first described by 18th century Swiss physicist, Leonhard
Field of View – Industry Leading Field of View
o The VICIS ZERO1 provides a wider field of view than traditional helmets. In laboratory
testing, the ZERO1 was shown to offer players a 212-degree field of view, nearly the
maximum of human peripheral vision (220 degrees). This is nearly 5 degrees more than the
next best traditional helmet and 13 degrees more than another popular traditional helmet.
AXIS Fit System® – Custom Fit, Superior Comfort
o One of VICIS’ founders is a neurosurgeon and some of the world’s preeminent neurosurgeons
serve on the company’s scientific advisory board. We incorporated feedback from these neurosurgeons and scores of elite football equipment managers to develop the VICIS AXIS Fit System®, which incorporates head length and width measurements to determine a player’s optimal helmet size.
A Music Student with Financial Hardship Will Receive a Four-Year Scholarship, Worth up to $200,000 USD Toward a Bachelor’s Degree at Berklee College of Music in Boston
Deadline to Apply is April 10, 2020
MIAMI (DEC. 16, 2019)— The Latin GRAMMY Cultural Foundation® announced today that it is accepting applications for the Julio Iglesias Scholarship from music students admitted to Berklee College of Music who are interested in Latin music. The four-year Prodigy Scholarship, which holds a maximum value of $200,000 USD, was created five years ago in an effort to support music education and Latin music genres, and will be awarded to a student who is exceptionally gifted and needs financial assistance to complete a bachelor’s degree in music starting in the Fall 2020 semester.
Julio Iglesias is considered an enduring star on the world stage and the best-selling Latin artist of all time. Recipient of a GRAMMY®, 2001 Latin Recording Academy Person of the Year™ honor, and the Recording Academy® Lifetime Achievement Award in 2019, the singer/songwriter has recorded in multiple languages and sold more than 300 million records worldwide.
“I’m proud to offer a promising student the opportunity of a formal music education at one of the best schools in the world through the Latin GRAMMY Cultural Foundation,” said Iglesias. “Through this scholarship, I hope to expand my legacy helping to build the next generation of Latin music ambassadors.”
“We are pleased to announce our sixth annual Prodigy Scholarship in association with music legend Julio Iglesias,” said Manolo Díaz, Senior Vice President, Latin GRAMMY Cultural Foundation. “We are grateful for Julio’s support and commitment to inspire future generations of Latin artists to achieve greatness.”
Every year, the Foundation’s Scholarship Committee carefully evaluates applications from a highly competitive pool of aspiring musicians on a variety of skills and under rigorous policies. As of today, the Latin GRAMMY Cultural Foundation has allocated a remarkable $5 million USD in scholarships, grants, musical instrument donations, and educational events worldwide. Previous artists who have co-sponsored Prodigy Scholarships include Enrique Iglesias (2015), Juan Luis Guerra (2016), Miguel Bosé (2017), Carlos Vives (2018), and Emilio and Gloria Estefan (2019).
For application, guidelines, and for the latest news, please visit the official website of the Latin GRAMMY Cultural Foundation at www.latingrammyculturalfoundation.com. As part of the process, students must complete two audition videos, submit two letters of recommendation and answer two essay questions. The materials can be submitted in English, Spanish or Portuguese. The deadline to apply is April 10, 2020, by 11:59 p.m. EDT. After reviewing the guidelines that can be found on our website, submit any questions to LGCF@grammy.com.
ABOUT THE LATIN GRAMMY CULTURAL FOUNDATION:
The Latin GRAMMY Cultural Foundation was established by The Latin Recording Academy® to promote international awareness and appreciation of the significant contributions of Latin music and its makers to the world’s culture, and to protect its rich musical legacy and heritage. The Foundation’s primary charitable focus is to provide scholarships to students interested in Latin music, as well as grants to scholars and organizations worldwide for research and preservation of diverse Latin music genres. Take action in supporting our mission by donating today via our Facebook page. For additional information, please visit us at www.latingrammyculturalfoundation.com. For the latest news and exclusive content, follow us at @latingrammyfdn on Twitter and Instagram, and Latin GRAMMY Cultural Foundation on Facebook.
ABOUT BERKLEE COLLEGE OF MUSIC: Berklee was founded on the revolutionary principle that the best way to prepare students for careers in music is through the study and practice of contemporary music. For 70 years, the college has evolved to reflect the current state of the music industry, leading the way with baccalaureate studies in performance, music business/management, songwriting, music therapy, film scoring, and more. In June 2016, the Boston Conservatory merged with Berklee, creating the world’s most comprehensive and dynamic training ground for music, dance, theater, and related professions. With a focus on global learning, the Berklee campus in Valencia, Spain, offers graduate programs and study abroad opportunity, while Berklee Online serves distance learners worldwide with extension classes and degree-granting programs. The Berklee City Music Network provides after-school programming for underserved teens in more than 40 locations throughout the U.S. and Canada. With a student body representing more than 100 countries, abundant international undergraduate and graduate student populations (33 and 53 percent respectively), and alumni and faculty who have won more than 360 GRAMMY and Latin GRAMMY Awards, Berklee is the world’s premier learning lab for the music of today—and tomorrow. Learn more at berklee.edu.
ABOUT JULIO IGLESIAS:
Julio Iglesias is the most celebrated artist in Spanish and Latin music history. Recipient of a GRAMMY, The Latin Recording Academy Person of the Year in 2001, and the Recording Academy™ Lifetime Achievement Award in 2019, Iglesias is the best-selling Latin artist of all time with more than 300 million records sold in 14 languages. Photo Credit: Jesús Carrero
In a story first reported by The New York Times, Charlotte Nebres, a student at the School of American Ballet, danced her way into ballet history as New York City Ballet’s first black Marie, the young heroine of a show that dates back to 1954.
The annual production also includes a diverse cast of other young leads this season, including Tanner Quirk, Marie’s Prince in the ballet, who is half-Chinese; Sophia Thomopoulos, the ballet’s second casting of Marie, who is half-Korean and half-Greek; and Kai Misra-Stone, Sophia’s Prince, who is half-South Asian.
“It’s pretty amazing to be not only representing S.A.B., but also representing all of our cultures,” Nebres told “The New York Times.” “There might be a little boy or girl in the audience seeing that and saying, ‘Hey, I can do that too.'”
Charlotte, who was just 6 years old when Copeland became the first female African American principal at American Ballet Theater, recalled being inspired when she saw Copeland perform for the first time.
“I saw her perform and she was just so inspiring and so beautiful,” she told The New York Times. “When I saw someone who looked like me on stage, I thought, ‘That’s amazing.’ She was representing me and all the people like me.”
Charlotte, whose mother’s family is from Trinidad while her father’s side of the family is from the Philippines, is becoming a trailblazer herself with the role of Marie.
For Charlotte’s mother, Danielle Nebres, the experience for her daughter is a meaningful one, because she was also a dancer growing up.
Nebres, who described Charlotte as quiet and artistic, said, “You don’t know what people are seeing in your child, and they are definitely seeing something in her.”
Although Charlotte is making waves being cast as Marie, the 11-year-old is just enjoying the moment and doing what she loves most: dancing.
Continue on to ABC News to read the complete article.
When Colombian superstar Juanes takes the stage, the atmosphere shifts. His influence is apparent, from the fanatic cheers of the audience as they sing along word-for-word to the permanent fixture of phones poised to capture each moment. With more than 15 million albums sold worldwide, to say he is a legend is undebatable.
This was the exact scene this past September at L’ATTITUDE, a business-focused annual conference, which focuses on how U.S. Latinos are fueling American economic growth. The artist was in attendance not only to serenade the crowd with a moving rendition of “La Camisa Negra” (a favorite from his ground-breaking album “Mi Sangre”) but also to share his thoughts on how Latinos are dominating mainstream music and the importance of their contributions.
It’s a perspective Juanes is more than qualified to speak on.
With a career spanning longer than three decades, 26 awarded Grammys and Latin Grammys combined, a history of philanthropic endeavors, and his naming last June as the 2019 Latin Recording Academy Person of the Year, Juanes has firmly positioned himself as one of Latin music’s leading global ambassadors and a committed voice for advocacy and inclusion.
It may seem a massive undertaking to be such an influential artist—maintaining a long-standing industry presence, constantly expanding your creative artistry, supporting new artists, and managing philanthropic efforts—but Juanes insists that only one thing is necessary to make it so.
“Si quieres ser artista, sigue tu corazón,” he told the L’ATTITUDE crowd. “If you want to be an artist, stick to your heart.”
Follow the Music
Considering Juanes’ background, it comes as no surprise that he ended up so fully enraptured by the magic of music. Raised in his native Colombia, he began playing the piano when he was only 2 years old, and at 7 learned the guitar from his father and brothers.
“I started to play guitar and sing because of my family, really—my brothers, sisters and parents all loved music,” he told NPR. “They were always singing folk music, so those beginning years were filled with sambas and chacareras and vallenatos and tangos.”
By the time his teenage years rolled around, however, his tastes had changed, leading to the start of a career with a musical sound far removed from the folk songs of his youth. At age 17, along with friends André García, Fernando “Toby” Tobón and José David Lopera, he formed the rock band Ekhymosis (Greek for “bruise”).
Inspired by the music of Metallica, the band aimed to “create
Colombian rock” through their thrash and heavy metal rhythms. Their first demo spoke to a simultaneous effort to describe the troubled environment of their hometown in Medellín, marking the beginning of a consistent pattern of speaking out against injustice and violence through socially conscious songs.
At the time, Medellín, influenced by the reign of Pablo Escobar and civil war, had the highest homicide rate in the world. Juanes was not spared from the effects of this harrowing environment, losing a cousin to violence in the early 90s. The experience encouraged him to try to use his gift of music to effect change.
“I realized that music has the power to bring people together, to change things,” he said. “That has been my mission.”
By the time Juanes made the decision to go solo in 1998—ten years after the band’s formation— the award-winning group had released eight albums.
“I just felt like I was missing something—that I needed to go back to my roots, my essence,” Juanes said of his solo journey. “And that’s what I’ve done ever since. I try to mix both the folk side and the rock side to create a contemporary sound.”
The formula has certainly paid off…in spades.
Released in 2000, his first solo album, “Fíjate Bien,” earned him two Latin Grammy Awards, while his second, “Un Día Normal” (released in 2002), was certified multi-platinum in multiple countries across Latin America.
It was his third album, however—”Mi Sangre”—that positioned him as an international force and cemented him as a global ambassador for the Latin music genre. The album debuted at number one on the Billboard Top Latin Albums chart, produced three consecutive number one singles, was certified Gold, Platinum, or Multi-platinum in 14 countries, and won three Latin Grammy Awards.
Since the release of “Mi Sangre” in 2004, Juanes has released four more albums, including 2017’s “Mis Planes Son Amarte,” a full visual concept album featuring the artist’s first song in English.
His eighth solo album, set for release in November 2019, has already produced a Latin Grammy- nominated single in “La Plata”—a Colombian folkloric tune mixed with pop reggaeton that is close to the singer’s heart.
“This song is light and happy…I’m very excited,” he gushed about the single, which features emerging Columbian trap artist Lalo Ebratt of the collective Trapical Minds. “It has to do with Colombia, and with my roots, and with who I am.”
The Juanes Effect
Juanes’ worldwide appeal is undeniable. He has performed everywhere from the Nobel Peace Prize concert in Oslo to Sesame Street, and has been recognized by TIME Magazine as one of the World’s 100 Most Influential People.
And while many Latin artists eventually “cross-over” to record English language albums in an effort to expand their audiences, he waited almost 30 years to record “Goodbye for Now,” his first English song. The move was deliberate and based, he said, on a desire to respect his fan base while adapting to the changing musical landscape.
“Singing in Spanish is very important because it is the language in
which I think and feel,” he explained. “But I am also conscious of the fact that the world and the way we communicate is changing. I do love Anglo music, and now that I’m a little bit more familiar with the language, I feel like it’s more honest for me to do it.”
It may have taken him some time to release a track in English, but Juanes has effortlessly maintained a presence in the mainstream American music scene, nabbing several groundbreaking firsts in the process of building his musical empire.
His performances at the 84th Annual Macy’s Thanksgiving Day Parade (2010), The Tonight Show Starring Jimmy Fallon (2014), The TODAY Show Plaza concert series (2014), and The Late Show with Stephen Colbert (2017) marked the first time any of these platforms had featured a performing artist singing exclusively in Spanish. And, in 2015, he performed “Juntos”—the first Spanish song featured in over a decade at the Grammys.
For Juanes, these historic performances speak to the ability of music to transcend language.
“It’s really a magical feeling,” he explained. “People come to our shows or listen to these performances, and they respect the fact that we sing in Spanish. They are paying attention to the melodies and the arrangement and the music itself, and it’s a beautiful gift. It’s just the magic of music.”
A Voice for Change
Growing up a witness to prevalent violence in his hometown of Medellín had a profound effect on Juanes that has reverberated beyond his lyrics into a passion for philanthropy.
In 2006, he created the Mi Sangre Foundation in response to Colombia’s needs in the treatment of landmine victims. Under the umbrella of psychosocial support, peace education, and peace building project programs, the organization “helps children, teenagers, and youth heal wounds of the soul by creating safe environments and strengthening social fabrics while enabling the participation of families, the community, and the educational sector.” The venture, which has provided support for thousands of landmine victims, is a labor of the heart.
“The name Mi Sangre [My Blood] is inspired by the same sentiment as my album of the same name—it’s about my children, my children’s children, my land, my roots. It’s what’s important to me,” Juanes said of the foundation. “When I heard firsthand the stories of people who had been directly affected moved me to the point that I said, ‘I want to do something.’”
The artist also co-founded the Paz Sin Fronteras (Peace Without Borders) effort, a series of free outdoor concerts aimed at uniting people across borders and promoting non-violent conflict resolution.
His efforts have earned him a multitude of humanitarian awards, appointments, and recognition, including Colombia’s National Peace Prize, a position as a Goodwill Ambassador for nonprofit organization United for Colombia, France’s highest cultural honor for social activism (L’Ordre des Arts et des Lettres), and a namesake recreational park in Medellín, which provides rehabilitation space for people with disabilities.
For Juanes, however, the recognition isn’t the end goal. In his eyes, it’s all about making a difference.
“I do these things because they matter for me and to me,” he explained. “I often think about what we as a people are doing here in this world and why we are here. And what I know for sure is that we are not alone…we need to help each other.”
A Continuing Legacy
Juanes’ legacy of artistic innovation, support for emerging artists, and humanitarian recently manifested into yet another recognition—one reserved for the most culturally impactful Latin musicians.
Last June, the Latin Recording Academy announced that as part of its milestone 20th anniversary, the singer, composer, musician, and philanthropist would be named the 2019 Latin Recording Academy Person of the Year.
Bestowed upon musicians of Ibero American heritage in acknowledgement of their artistic achievements in the Latin music industry, fellowship, and philanthropic efforts, past honorees have included Gloria and Emilio Estefan, Shakira, Ricky Martin, and Carlos Santana.
“Juanes is young, but legendary, an artist who has inspired us through his amazing music for many years and—while doing so—he vigorously campaigned for political, social, and positive change around the world,” said Gabriel Abaroa Jr., president/CEO of The Latin Recording Academy. “His leadership and his philanthropic work, in addition to his positive messages that transcend music, speak volumes about his many contributions to the community, and we are truly honored to recognize him as this year’s Latin Academy Person of the Year.”
The designation is just the latest addition to the multi-talented artist’s ever-growing legacy, and a reaffirmation that he is fulfilling his destiny.
“I’m doing what I believe I was brought to do—to create music that raises awareness, renews hearts, and generates change,” Juanes shared. “And I hope I have many years left to connect through art, to play my guitar, and to continue chasing the sun.”
Many designers make a very respectable living. According to a new survey of over 17,000 designers across the globe, conducted by the digital networking platform Dribbble earlier this year, product designers are doing quite well in particular.
U.S.-based product designers working on physical and digital products report making an average salary of $103,000 a year. Not bad for passing on the law degree and medical license and (hopefully) never learning how to code!
That figure doesn’t appear to be the result of a few whopping salaries that threw averages out of whack, either. In fact, 73% of product designers report making salaries of $75,000 or more. But there’s a catch: the highest-paid designers live in California, where 40% of those surveyed reported making $100,000 or more a year. Figures are similar in New York and Washington state (most likely the Seattle area, where Amazon and Microsoft live). In other words, designers who make six figures are often living in a location that mandates a six-figure minimum to get by. So success in the field is relative.
Other interesting findings were that a lot of designers are side-hustling on top of full-time office jobs. Nearly half of respondents reported working on-site at a job each day. But still, 75% of all respondents disclosed that they freelanced in off hours—a finding that’s in line with another recent survey on design work. Put differently, that means that only one out of four designers is getting the creative or financial fulfillment in their career to actually call it a day at the end of a day. It’s good for the design industry that so much extra work exists, but it’s perhaps worrisome that designers are taking it at the expense of time off for their health and well-being.
One last notable tidbit was regarding education. Globally, 42% of all designers are self-taught, while only about a third report picking up their talents through a formal education. But in the U.S., half of designers reported going to school to learn the trade. Then, specifically looking at UX designers who responded to the survey, a whopping 25% have their master’s degree. That means the people designing apps, websites, and interfaces are a highly educated bunch. And it implies that breaking into the Valley as a UX designer could require not just a stunning portfolio but a serious personal investment in education.
Pendleton Woolen Mills, the acclaimed lifestyle brand headquartered in Portland, Oregon, creates dazzling blankets as part of Pendleton’s American Indian College Fund collection, of which a portion of the proceeds provides scholarships for Native American students.
To give voice to rising Native artists while honoring the richness of Native arts and cultures, the American Indian College Fund and Pendleton are announcing the Tribal College Blanket Design Contest. Open to tribal college students, the contest challenges students to express their culture and identity through original artistic designs to be incorporated into the next tribal college student designed blanket to be featured and sold in the blanket collection to give back to the Native community by helping to support American Indian College Fund scholarships.
Contest participants must be currently enrolled in one of the 35 American Indian Higher Education Consortium tribal colleges and universities (TCUs). Textile design experience is not necessary to enter. Only current TCU students are eligible to participate. Students cannot submit more than two designs. All submissions must be received by 11:59pm MST on February 15, 2020.
A committee comprised of Native American artists and College Fund and Pendleton staff will select the winning blanket designs. Prizes include the following:
Grand Prize winners: $2,000 cash, a $5,000 scholarship, and six of the winning blankets.
Second Place winners: $500 cash and a $2,500 scholarship.
Third Place winners: $250 cash and a $1,500 scholarship.
About the American Indian College Fund—Founded in 1989, the American Indian College Fund has been the nation’s largest charity supporting Native higher education for 30 years. The College Fund believes “Education is the answer” and provided $7.72 million in scholarships to 3,900 American Indian students in 2018-19, with nearly 137,000 scholarships and community support totaling over $208 million since its inception. The College Fund also supports a variety of academic and support programs at the nation’s 35 accredited tribal colleges and universities, which are located on or near Indian reservations, ensuring students have the tools to graduate and succeed in their careers. The College Fund consistently receives top ratings from independent charity evaluators and is one of the nation’s top 100 charities named to the Better Business Bureau’s Wise Giving Alliance. For more information about the American Indian College Fund, please visit collegefund.org.
Just a few decades ago, Black art was hard to come by in mainstream markets. Artists were largely only viewed at African American museums and at niche galleries.
In 1995, two young African American males in South Los Angeles set out to bridge the gap between Black art collectors and the everyday consumer. Shades of Color fuses Black art into its product line to celebrate one of America’s most influential cultures on household products including home décor, shower curtains, floor mats and kitchen aprons.
As of 2017, the home decor industry was worth $582 billion, and is projected to increase to $741 billion by 2023, according to PR Newswire. There has been an increase in home ownership which has tremendously impacted the home décor market, as stated on the Allied Market Research website.
While the home décor market is constantly expanding, there are still seldom companies that honor African American art on their products. Shades of Color’s partnership with African American artists is proving to be a solution that brings art into the homes of the consumers that truly appreciate it.
“We work with artists to mass produce their art on products which exponentially increases exposure to their craft,” says President, Adrian Woods. “Our artists are an extension of our family and are relatable from the girlfriends of Cidne Wallace to the strong Black fathers by Frank Morrison to the more contemporary styles of Larry Poncho Brown. Our goal is to highlight these artists and be a driving force in ethnic home décor.”
Black art is a reflection of American culture, and Shades of Color’s community is making that art more accessible. All types of consumers have essentially become art collectors without even knowing it. The company’s direct to consumer website features African American artists, a vast catalog of products and global conversations around culture and current affairs. With its ties to community involvement the company is also supporting its greater network. Schools, churches and community groups have earned well over $2 million through the company’s fifteen year fundraising program that is open to everyone.
What began in the mid-90’s as strictly a calendar company is now a leader in an ethnic niche market selling through mass retailers, organizations, main street gift shops and quaint Afrocentric stores across the country. The flagship calendar line preserves history and brings facts, accomplishments and current milestones to light in a time when typical classrooms across the country are still neglecting to include Black history. The entire product line is infused with positive aspirations and imagery that embody this very important aspect of Americana.
“It is touching to hear the reactions,” says Production Manager and Marketing Director, Janine Robinson. “Across social media followers comment on what it feels like to walk into their bathroom, for example, and see a reflection of themselves on a 70” x 70” panel that fills the room. It’s not rare to get several comments saying, ‘That’s me!’ Not only does the product fill the room literally, the art and statements fill and ignite the spirit too. That is the part that makes it all worth it.” #UpliftandInspire
About Shades of Color
Founded in 1995, Shades of Color, LLC is a small Black-owned business producing high quality calendars, stationery, kitchenware, home décor, bags and gifts. It licenses and commissions Black art from renowned African American artists. The company manufactures and distributes its own collections to a global audience. Learn more about their products at www.ShadesGifts.com. Learn more about their Home Décor Collection at www.shadescalendars.com/product-category/homedecor
The San Diego Latino Film Festival (SDLFF) invites *design professionals, artists,and students* from all over the world to produce a commemorative poster design that will represent the history and legacy of the SDLFF.
SDLFF was born out of a desire to take a stand against the status-quo of cinema, to challenge the reigning and ever-present stereotypes about the Latino experience in movies, and to give Latino filmmakers the power of telling and sharing their stories, first-hand, about what it means to be Latino.
We invite you and all other visionary designers to be a part of our history by submitting your project to consideration. The commemorative poster design shall celebrate our core values and our passion for the Latino culture.
Your design will receive national and international exposure, including but not limited to: the cover of the Official SDLFF 2020 Program book, print ads, TV commercials, social media posts, ads, and web banners. Better yet, the winning artwork will receive a prize of $1,000.00 dollars!
Continue here for the submission details and guidelines.